Heidegger wanted to take Nietzsche seriously as a thinker. But as a thinker or philosopher Nietzsche can be accused of inconsistency. Even his main objective - the transvaluation all values - may make no sense. This author wants to view Nietzsche as a poet. He opposes the universality of abstract truth to the poetic truth which is the incarnation of the absolute in the concrete and valid only as meaning in a particular context. A large part of the book is devoted to the application of this theory, hence the book is both a hermeneutic study and a practical guide for the interpretation of…mehr
Heidegger wanted to take Nietzsche seriously as a thinker. But as a thinker or philosopher Nietzsche can be accused of inconsistency. Even his main objective - the transvaluation all values - may make no sense. This author wants to view Nietzsche as a poet. He opposes the universality of abstract truth to the poetic truth which is the incarnation of the absolute in the concrete and valid only as meaning in a particular context. A large part of the book is devoted to the application of this theory, hence the book is both a hermeneutic study and a practical guide for the interpretation of Nietzsche's controversial topics such as the Death of God, marriage, life and death, or - woman and the Superman ( Übermensch ). Part Three deals with Hermeneutics and Metaphysics, then with Heidegger, Nietzsche and Metaphysics.
The Author: Ernest Joós. Born in 1923 in Hungary, studied at the University of Budapest, and at the University of Grenoble, then in Canada at McGill University, at the Institut d'Etudes médiévales (Montreal) and received his Ph.D. from the University of Montreal. He is Professor of Philosophy at Concordia University (Montreal) and taught as guest professor at the Université Laval (Québec) and at the Université de Montréal. His field of teaching and research is metaphysics and intentionality - both in the middle ages and in the phenomenology. On these topics he published several articles in English, French and Hungarian and presented numerous papers at philosophical congresses. He edited and contributed to La scolastique: certitude et recherche Bellarmin, Montreal, 1980. He wrote on Georg Lukács - Lukács's Last Autocriticism: the Ontology, Humanities Press. 1983. He published with Peter Lang Intentionality - Service of Intelligibility; The Genesis of Intentionality (1989), Lukács a
nd His World (1988). He published in Hungarian On the Beautiful and the Good (1990) and God and Being (1991).
Inhaltsangabe
Contents: Non-Dialectical Rationality - The Dialectic of Paradox: the Logic of the Irrational - A Famous Paradox: God is Dead! - The Paradox of the Creative Will and the Necessity of Voluntary Death - Heidegger, Nietzsche and Metaphysics.
Contents: Non-Dialectical Rationality - The Dialectic of Paradox: the Logic of the Irrational - A Famous Paradox: God is Dead! - The Paradox of the Creative Will and the Necessity of Voluntary Death - Heidegger, Nietzsche and Metaphysics.
Rezensionen
"Ses immenses qualités pédagogiques transparaissent dans son dernier ouvrage,..., une suite de leçons d'une assurance tranquille, bien ordonnées, limpides et parfois éclairées par un trait d'humour." (Lionel Ponton, l'aval théologique et philosophique)
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