Bringing together twenty-five years of work on what he has called the 'historical poetics of cinema,' David Bordwell here presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects?
Bringing together twenty-five years of work on what he has called the 'historical poetics of cinema,' David Bordwell here presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects?
David Bordwell, Jacques Ledoux Professor at the University of Wisconsin, is arguably the most influential scholar of film in the United States. The author, with his wife Kristin Thompson, of the standard textbook Film Art and a series of influential studies of directors (Eisenstein, Ozu, Dreyer) as well as periods and styles (Hong Kong cinema, Classical Hollywood cinema, among others), he has also trained a generation of professors of cinema studies, extending his influence throughout the world. His books have been translated into fifteen languages.
Inhaltsangabe
Introduction Part 1 Questions of Theory Chapter 1 Poetics of Cinema Chapter 2 Convention, Construction, and Cinematic Vision Part 2 Studies in Narrative Chapter 3 Three Dimensions of Film Narrative Chapter 4 Cognition and Comprehension Chapter 5 The Art Cinema as a Mode of Film Practice Chapter 6 Film Futures Chapter 7 Mutual Friends and Chronologies of Chance Part 3 Studies in Style Chapter 8 Cinecerity Chapter 9 Taking Things to Extremes Chapter 10 CinemaScope Chapter 11 Who Blinked First? Chapter 12 Visual Style in Japanese Cinema, 1925-1945 Chapter 13 A Cinema of Flourishes Chapter 14 Aesthetics in Action Chapter 15 Richness Through Imperfection
Introduction Part 1 Questions of Theory Chapter 1 Poetics of Cinema Chapter 2 Convention, Construction, and Cinematic Vision Part 2 Studies in Narrative Chapter 3 Three Dimensions of Film Narrative Chapter 4 Cognition and Comprehension Chapter 5 The Art Cinema as a Mode of Film Practice Chapter 6 Film Futures Chapter 7 Mutual Friends and Chronologies of Chance Part 3 Studies in Style Chapter 8 Cinecerity Chapter 9 Taking Things to Extremes Chapter 10 CinemaScope Chapter 11 Who Blinked First? Chapter 12 Visual Style in Japanese Cinema, 1925-1945 Chapter 13 A Cinema of Flourishes Chapter 14 Aesthetics in Action Chapter 15 Richness Through Imperfection
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