Poetics of Love in the Arabic Novel - Ouyang, Wen-Chin
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AUTHOR APPROVED Tells the story of the Arab novel's search for form The novel is now a major genre in the Arabic literary field. This book explores its development, especially the ways in which the genre engages with aesthetics, ethics and politics in a cross-cultural context and from a transnational perspective. It takes love and desire as the central tropes through which the Arabic novel tells the tale of its search for form in a world mapped by conflicting ideas. As it falls in love with the nation-state, the Arabic novel flirts with modernity and lives uncomfortably with tradition. The…mehr

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Produktbeschreibung
AUTHOR APPROVED Tells the story of the Arab novel's search for form The novel is now a major genre in the Arabic literary field. This book explores its development, especially the ways in which the genre engages with aesthetics, ethics and politics in a cross-cultural context and from a transnational perspective. It takes love and desire as the central tropes through which the Arabic novel tells the tale of its search for form in a world mapped by conflicting ideas. As it falls in love with the nation-state, the Arabic novel flirts with modernity and lives uncomfortably with tradition. The love triangle it creates is at once an expression of its will to participate in the politics, its interrogation of ethics of storytelling, and its search for new aesthetics. The story of the Arabic novel is presented as a series of failed, illegitimate love affairs, all tainted by its suspicion of the legitimacy of the nation, modernity and tradition, and above all by its misgiving about its own propriety. Wen-chin Ouyang is Reader in Arabic Literature at SOAS. She is author of Literary Criticism in Medieval Arabic Islamic Culture: The Making of a Tradition (Edinburgh University Press, 1997), editor of New Perspectives on the Arabian Nights (Routledge, 2005) and co-editor (with Stephen Hart) of A Companion to Magical Realism (Tamesis, 2005).
Autorenporträt
Wen-chin Ouyang, FBA is Professor of Arabic and Comparative Literature at SOAS, University of London. Born in Taiwan and raised in Libya, she completed her BA in Arabic at Tripoli University and PhD in Middle Eastern Studies at Columbia University in New York City. She is the author of Literary Criticism in Medieval Arabic-Islamic Culture: The Making of a Tradition (1997), Poetics of Love in the Arabic Novel (2012) and Politics of Nostalgia in the Arabic Novel (2013). She has also published widely on The Thousand and One Nights, often in comparison with classical and modern Arabic narrative traditions, European and Hollywood cinema, magic realism, and Chinese storytelling. She founded and co-edits Edinburgh Studies in Classical Arabic Literature, and is also Editor-in-Chief of Middle Eastern Literatures. She was a member of the judging panel for Man Booker International Prize for Fiction 2013-15. A native speaker of Arabic and Chinese, she has been working towards Arabic-Chinese comparative literary and cultural studies, including Silk Road Studies.