Poetics of Race offers innovative approaches to the study of aesthetic and cultural representation of race and ethnicity in Latin America, particularly in Mexico, Brazil, the Caribbean and the Andean region. Interdisciplinary studies elaborate on issues of marginalization, immigration, violence, gender, exclusion, resistance and emancipation.
Poetics of Race offers innovative approaches to the study of aesthetic and cultural representation of race and ethnicity in Latin America, particularly in Mexico, Brazil, the Caribbean and the Andean region. Interdisciplinary studies elaborate on issues of marginalization, immigration, violence, gender, exclusion, resistance and emancipation.
Mabel Moraña is William H Gass Professor of Arts and Sciences at Washington University in St. Louis. She has published over 20 authored and more than 30 edited volumes on Latin American literature and cultural theory.
Inhaltsangabe
Notes on Contributors; Introduction The Poetics of Race and the "Color Line"; Mabel Moraña, Part I. PRISMS OF RACE: CARIBBEAN AND BRAZILIAN ENCOUNTERS; Chapter 1. Blackness, Postslavery, and What Never Ceases Not to Write Itself; Horacio Legrás, Chapter 2. Etched in Sugar, Soil, Metal and Blood: The Plantationocene and the Afterlives of Racialized Plantation in Contemporary Cuban Art; Elzbieta Sklodowska, Chapter 3. Policies of Repair in "Black" Female Poetics: Nancy Morejón and Astrid Roemer; Ineke Phaf-Rheinberger, Chapter 4. The Rise of the Black Hero: Heroic Imagination and Print Culture in Nineteenth-Century Brazil; María Alejandra Aguilar Dornelles, Part II. COLORING OTHERNESS IN MEXICO; Chapter 5. Phantasms of Our Deluded Eyes: Race in the Era of Cinematic Movement; Adela Pineda Franco, Chapter 6. Marking Race and Class Privilege in Contemporary Mexican Cinema; Mónica García Blizzard, Chapter 7. The Limits of Nihonjinron: Issei Immigrants' Literary Representation of Japaneseness in Mexico; Ignacio López-Calvo, Part III. INDIGENOUS SUBJECTS: REPRESENTATION AND RESISTANCE; Chapter 8. What Indigenous Literatures Tell Us about Race; Arturo Arias, Chapter 9. Yuyachkani's Andinismo: Performing (toward) a Poetics of Race; Anne Lambright, Chapter 10. Antiracist Spatial Narratives in Daniel Munduruku's Crônicas De São Paulo: Indigenous Place-Names and Migration in the Paulista Capital City; Christian Elguera; Index
Notes on Contributors; Introduction The Poetics of Race and the "Color Line"; Mabel Moraña, Part I. PRISMS OF RACE: CARIBBEAN AND BRAZILIAN ENCOUNTERS; Chapter 1. Blackness, Postslavery, and What Never Ceases Not to Write Itself; Horacio Legrás, Chapter 2. Etched in Sugar, Soil, Metal and Blood: The Plantationocene and the Afterlives of Racialized Plantation in Contemporary Cuban Art; Elzbieta Sklodowska, Chapter 3. Policies of Repair in "Black" Female Poetics: Nancy Morejón and Astrid Roemer; Ineke Phaf-Rheinberger, Chapter 4. The Rise of the Black Hero: Heroic Imagination and Print Culture in Nineteenth-Century Brazil; María Alejandra Aguilar Dornelles, Part II. COLORING OTHERNESS IN MEXICO; Chapter 5. Phantasms of Our Deluded Eyes: Race in the Era of Cinematic Movement; Adela Pineda Franco, Chapter 6. Marking Race and Class Privilege in Contemporary Mexican Cinema; Mónica García Blizzard, Chapter 7. The Limits of Nihonjinron: Issei Immigrants' Literary Representation of Japaneseness in Mexico; Ignacio López-Calvo, Part III. INDIGENOUS SUBJECTS: REPRESENTATION AND RESISTANCE; Chapter 8. What Indigenous Literatures Tell Us about Race; Arturo Arias, Chapter 9. Yuyachkani's Andinismo: Performing (toward) a Poetics of Race; Anne Lambright, Chapter 10. Antiracist Spatial Narratives in Daniel Munduruku's Crônicas De São Paulo: Indigenous Place-Names and Migration in the Paulista Capital City; Christian Elguera; Index
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