For its playful sincerity and idiosyncratic humor, Poetry: A Survivor's Guide has earned praise from students, teachers and readers around the globe, as it offers an original take on a subject both loved and feared. In a time of great change, its unconventional advice and application is crucial to encourage meaningful discussion and personal growth. This updated and expanded edition probes a range of strategies for inspiring students and aspiring poets on the ways poetry relates to their own lives. These include individual meditation, digital learning, and the uses and utility of poetry as a tool of social change.…mehr
For its playful sincerity and idiosyncratic humor, Poetry: A Survivor's Guide has earned praise from students, teachers and readers around the globe, as it offers an original take on a subject both loved and feared. In a time of great change, its unconventional advice and application is crucial to encourage meaningful discussion and personal growth. This updated and expanded edition probes a range of strategies for inspiring students and aspiring poets on the ways poetry relates to their own lives. These include individual meditation, digital learning, and the uses and utility of poetry as a tool of social change.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mark Yakich is Gregory F. Curtin, S.J. Distinguished Professor of English at Loyola University New Orleans, USA, where he is Director of the Center for Editing & Publishing. He is the author of many poetry collections, including Unrelated Individuals Forming a Group Waiting to Cross (2004), The Importance of Peeling Potatoes in Ukraine (2008), and Spiritual Exercises (2019), all from Penguin Books. His unconventional guide to reading and writing poems, Poetry: A Survivor's Guide (2nd Ed., Bloomsbury, 2022), is taught worldwide.
Inhaltsangabe
Warning Introduction Part I. Reading Essentials Poetic Aims Accessibility Biography Close Reading Emotion Pattern and Variation Ineffability Sound Work Rhythm Enjambment The Line The Lyric Metaphor Ambiguity Dickinson Classics Myths Appropriation Great Books Whitman Imagery Roses Prose Poetry Narrative Criticism and Theory Pessoa Political Poetry Aesthetics Reader Response Classroom Reading Poetry Readings Reader's Block Spirituality Flight Part 2. Writing First Principles Form Sonnet Identity Self-Expression Memory Sublimation Imitation Avant-Garde Translation Technique The Creative Writing Classroom The Workshop Peer Review Revision Poet-Teachers Professionalization Master of Fine Arts Literary Magazines Publication Series, Sequence Chapbook, Manuscript Collections Book Reviews Writing Conferences Culture Jamming Poetic Practices Moods Depression Meditation Procrastination End Notes Epilogue Acknowledgments Index
Warning Introduction Part I. Reading Essentials Poetic Aims Accessibility Biography Close Reading Emotion Pattern and Variation Ineffability Sound Work Rhythm Enjambment The Line The Lyric Metaphor Ambiguity Dickinson Classics Myths Appropriation Great Books Whitman Imagery Roses Prose Poetry Narrative Criticism and Theory Pessoa Political Poetry Aesthetics Reader Response Classroom Reading Poetry Readings Reader's Block Spirituality Flight Part 2. Writing First Principles Form Sonnet Identity Self-Expression Memory Sublimation Imitation Avant-Garde Translation Technique The Creative Writing Classroom The Workshop Peer Review Revision Poet-Teachers Professionalization Master of Fine Arts Literary Magazines Publication Series, Sequence Chapbook, Manuscript Collections Book Reviews Writing Conferences Culture Jamming Poetic Practices Moods Depression Meditation Procrastination End Notes Epilogue Acknowledgments Index
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