Ardis Butterfield is a Lecturer in English at University College, London. She has published widely on French and English literary and musical history. Her articles have appeared in Medium Aevum and Plainsong and Medieval Music.
Inhaltsangabe
List of illustrations List of tables List of music examples Acknowledgments Bibliographical note List of abbreviations Prologue Part I. Text and Performance: 1. Song and written record in the early thirteenth century 2. The sources of song: chansonniers, narratives, dance-song 3. The performance of song in Jean Renart's Rose Part II. The Boundaries of Genre: 4. The refrain 5. Refrains in context: a case study 6. Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing Part III. The Location of Culture: 7. 'Courtly' and 'popular' in the thirteenth century 8. Urban culture: Arras and the puys 9. The cultural contexts of Adam de la Halle Part IV. Modes of Inscription: 10. Songs in writing: the evidence of the manuscripts 11. Chante/fable: Aucassin et Nicolette 12. Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146 Part V: Lyric and Narrative: 13. The two Roses: Machaut and the thirteenth century 14. Rewriting song: chanson, motet, salut, and dit 15. Citation and authorship from the thirteenth to the fourteenth century Part VI. Envoy: The New Art: 16. The Formes fixes: from Adam de la Halle to Guillaume de Machaut Epilogue Glossary Appendix Bibliography.
List of illustrations List of tables List of music examples Acknowledgments Bibliographical note List of abbreviations Prologue Part I. Text and Performance: 1. Song and written record in the early thirteenth century 2. The sources of song: chansonniers, narratives, dance-song 3. The performance of song in Jean Renart's Rose Part II. The Boundaries of Genre: 4. The refrain 5. Refrains in context: a case study 6. Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing Part III. The Location of Culture: 7. 'Courtly' and 'popular' in the thirteenth century 8. Urban culture: Arras and the puys 9. The cultural contexts of Adam de la Halle Part IV. Modes of Inscription: 10. Songs in writing: the evidence of the manuscripts 11. Chante/fable: Aucassin et Nicolette 12. Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146 Part V: Lyric and Narrative: 13. The two Roses: Machaut and the thirteenth century 14. Rewriting song: chanson, motet, salut, and dit 15. Citation and authorship from the thirteenth to the fourteenth century Part VI. Envoy: The New Art: 16. The Formes fixes: from Adam de la Halle to Guillaume de Machaut Epilogue Glossary Appendix Bibliography.
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