This new study offers a critical reading of the poetry and translations of Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon and Ciaran Carson. It demonstrates that their 'original' verse as well as their versions of other authors are, in each case, different manifestations of particular and consistently pursued poetics.
This new study offers a critical reading of the poetry and translations of Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon and Ciaran Carson. It demonstrates that their 'original' verse as well as their versions of other authors are, in each case, different manifestations of particular and consistently pursued poetics.
RUI CARVALHO HOMEM is Professor of English at the University of Oporto, Portugal. His research interests and publications include Irish studies, Early Modern English drama, translation and word-and-image studies. He is also a literary translator, and has published versions of Shakespeare, Seamus Heaney and Philip Larkin.
Inhaltsangabe
Acknowledgements Introduction: On Rewriting as Dislocation Authority and Freedom: Seamus Heaney Of Containment and Unmeasure: Derek Mahon Versions of Compassion: Michael Longley Words in Transit: Paul Muldoon The Hand, the Voice, the Map: Ciaran Carson Conclusions - and some Extensions Bibliography Index
Acknowledgements Introduction: On Rewriting as Dislocation Authority and Freedom: Seamus Heaney Of Containment and Unmeasure: Derek Mahon Versions of Compassion: Michael Longley Words in Transit: Paul Muldoon The Hand, the Voice, the Map: Ciaran Carson Conclusions - and some Extensions Bibliography Index
Rezensionen
'This intelligent book succeeds admirably in illustrating the relevance of the interdisciplinary approaches for literary studies in our 'global' world.' -M. Teresa Caneda Cabrera, University of Vigo, Translation and Literature
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