This volume explores poetic dialogue and dialogic patterns in medieval vernacular Italian poetry. It focuses on representations of conversion narratives and poetic subjectivity in the writings of Guittone d'Arezzo, Guido Guinizzelli, and Guido Cavalcanti, and Dante.
This volume explores poetic dialogue and dialogic patterns in medieval vernacular Italian poetry. It focuses on representations of conversion narratives and poetic subjectivity in the writings of Guittone d'Arezzo, Guido Guinizzelli, and Guido Cavalcanti, and Dante.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Bowe works on medieval Italian culture and its reception, with a particular focus on Dante, the lyric tradition, dialogue, gender, and voice. He completed his DPhil at the University of Oxford in 2014 with a thesis on dialogic modes of self-representation in medieval Italian verse. While studying at Oxford he was awarded the Senior Paget Toynbee Prize for essays in Dante Studies. He was a visiting fellow at the Leeds Humanities Research Institute in 2014, Victoria Maltby Junior Research Fellow at Somerville College, Oxford from 2015 to 2018, and retained lecturer in Italian at Pembroke College Oxford from 2017 to 2018. In 2018, he was awarded an Irish Research Council Government of Ireland Postdoctoral Fellowship to work at University College Cork.
Inhaltsangabe
Introduction THE DUECENTO Guittone D'Arezzo: Dialogic Conversion Guido Guinizzelli: Dialogic Reorientation Guido Cavalcanti: Dialogic Subjectivity DANTE Dante in Dialogue Ars Legendi, Ars Poetica: The Siren and the Poet Conclusion: Subjectivity, Dialogue, Openness
Introduction THE DUECENTO Guittone D'Arezzo: Dialogic Conversion Guido Guinizzelli: Dialogic Reorientation Guido Cavalcanti: Dialogic Subjectivity DANTE Dante in Dialogue Ars Legendi, Ars Poetica: The Siren and the Poet Conclusion: Subjectivity, Dialogue, Openness
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