An edited collection on poetic creation in the Victorian period that studies nine major Victorian poets: Wordsworth, Tennyson, Robert and Elizabeth Barrett Browning, Clough, Christina Rossetti, Hopkins, Swinburne, and Yeats.
An edited collection on poetic creation in the Victorian period that studies nine major Victorian poets: Wordsworth, Tennyson, Robert and Elizabeth Barrett Browning, Clough, Christina Rossetti, Hopkins, Swinburne, and Yeats.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Daniel Tyler is a Fellow and Lecturer in English at Trinity Hall, Cambridge. He specialises in British literature of the nineteenth century. He is editor of Dickens's Style (2013) and On Style in Victorian Fiction (forthcoming).
Inhaltsangabe
* 1: Daniel Tyler: Poetry in the Making: Introduction * 2: Peter Robinson: 'On the Power of Sound': the 'moral music' of Wordsworth at Work in Later Life * 3: Herbert F. Tucker: Better Yet: Tennyson's Poetic Revisionism in the Harvard Manuscripts * 4: Richard Cronin: Elizabeth Barrett and the making of Browning's Dramatic Romances and Lyrics * 5: Kirstie Blair and Marjorie Stone: 'Not Death, but Love': The Unmaking of Sonnets in the night and the Making of Sonnets from the Portuguese * 6: Daniel Tyler: Instinct and Hesitation in the Work of Arthur Hugh Clough * 7: Constance W. Hassett: Christina Rossetti and the Triumph of Revision * 8: Catherine Phillips: Hopkins and the Lost Beloved: the Making of 'A Voice from the World' and 'Binsey Poplars' * 9: Jerome McGann: The Composition and Meaning of Swinburne's 'Anactoria' * 10: Hugh Haughton: Yeats's Singing-School: The Wanderings of Oisin (1889) to The Wind Among the Reeds (1899)
* 1: Daniel Tyler: Poetry in the Making: Introduction * 2: Peter Robinson: 'On the Power of Sound': the 'moral music' of Wordsworth at Work in Later Life * 3: Herbert F. Tucker: Better Yet: Tennyson's Poetic Revisionism in the Harvard Manuscripts * 4: Richard Cronin: Elizabeth Barrett and the making of Browning's Dramatic Romances and Lyrics * 5: Kirstie Blair and Marjorie Stone: 'Not Death, but Love': The Unmaking of Sonnets in the night and the Making of Sonnets from the Portuguese * 6: Daniel Tyler: Instinct and Hesitation in the Work of Arthur Hugh Clough * 7: Constance W. Hassett: Christina Rossetti and the Triumph of Revision * 8: Catherine Phillips: Hopkins and the Lost Beloved: the Making of 'A Voice from the World' and 'Binsey Poplars' * 9: Jerome McGann: The Composition and Meaning of Swinburne's 'Anactoria' * 10: Hugh Haughton: Yeats's Singing-School: The Wanderings of Oisin (1889) to The Wind Among the Reeds (1899)
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