A historical examination of the various forces that transformed radio into the locally-based, musically-oriented medium that has dominated the airwaves since the introduction of the television.
A historical examination of the various forces that transformed radio into the locally-based, musically-oriented medium that has dominated the airwaves since the introduction of the television.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alexander Russo is Assistant Professor of Media Studies at The Catholic University of America.
Inhaltsangabe
Acknowledgments ix Introduction: Narratives of Radio's Geographies 1 1. The Value of a Name: Defining and Redefining National Network Radio 17 2. "The Lord is my Shepard, I shall not want": Regional Networks as Sites of Community and Conflict 47 3. Brought to You via Electrical Transcription: Sound-in-Disc Recording and the Perceptual Aesthetics of Radio Distribution Technologies 77 4. On the Spot: The Spatial and Temporal Flow of Spot Broadcasting 115 5. People with Money and Go: Locating Attention in the Human Geography of Radio Reception 151 Conclusion: Open-End Game: The Legacy of Spots, Representatives, and Transcriptions 184 Notes 191 Bibliography 241 Index 257
Acknowledgments ix Introduction: Narratives of Radio's Geographies 1 1. The Value of a Name: Defining and Redefining National Network Radio 17 2. "The Lord is my Shepard, I shall not want": Regional Networks as Sites of Community and Conflict 47 3. Brought to You via Electrical Transcription: Sound-in-Disc Recording and the Perceptual Aesthetics of Radio Distribution Technologies 77 4. On the Spot: The Spatial and Temporal Flow of Spot Broadcasting 115 5. People with Money and Go: Locating Attention in the Human Geography of Radio Reception 151 Conclusion: Open-End Game: The Legacy of Spots, Representatives, and Transcriptions 184 Notes 191 Bibliography 241 Index 257
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