Like many Eastern European countries, Poland has seen a succession of divergent economic and political regimes over the last century, from prewar "embedded liberalism," through the state socialism of the Soviet era, to the present neoliberal moment. Its cinema has been inflected by these changing historical circumstances, both mirroring and resisting them. This volume is the first to analyze the entirety of the nation's film history-from the reemergence of an independent Poland in 1918 to the present day-through the lenses of political economy and social class, showing how Polish cinema…mehr
Like many Eastern European countries, Poland has seen a succession of divergent economic and political regimes over the last century, from prewar "embedded liberalism," through the state socialism of the Soviet era, to the present neoliberal moment. Its cinema has been inflected by these changing historical circumstances, both mirroring and resisting them. This volume is the first to analyze the entirety of the nation's film history-from the reemergence of an independent Poland in 1918 to the present day-through the lenses of political economy and social class, showing how Polish cinema documented ordinary life while bearing the hallmarks of specific ideologies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ewa Mazierska is professor in film studies at the University of Central Lancashire and principal editor of a journal Studies in Eastern European Cinema. She has published over twenty monographs and edited collections, including From Self-Fulfillment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present, Postcolonial Approaches to Eastern European Cinema: Representing Neighbours on Screen (with Eva Näripea and Lars Kristensen), and Work in Cinema: Labor and Human Condition. Mazierska's work has been translated into almost twenty languages, including French, Italian, Chinese, Korean, Portugese, Estonian, and Serbian.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction PART I: INTERWAR CINEMA: STRIVING FOR SOCIAL PROMOTION Chapter 1. The 1920s: The Cult of the Body and the Machine Chapter 2. The 1930s: The Beauty and Sadness of the Room at the Top PART II: THE CINEMA IN PEOPLE'S POLAND: TAKING A GREAT LEAP Chapter 3. The 1950s: Holy Work? Chapter 4. The 1960s: Industrial Expansion and Small Stabilization Chapter 5. The 1970s: Bad Work and Good Life Chapter 6. The 1980s: Between Refusal to Work and Alienation of Labour PART III: POSTCOMMUNIST CINEMA: FROM TRIUMPHANT NEOLIBERALISM TO ACCUMULATION BY DISPOSSESSION Chapter 7. The 1990s: Heroic Neoliberalism or Everybody Can Be a Winner Chapter 8. The 2000s and Beyond: Accumulation by Dispossession Bibliography Index
List of Illustrations Acknowledgments Introduction PART I: INTERWAR CINEMA: STRIVING FOR SOCIAL PROMOTION Chapter 1. The 1920s: The Cult of the Body and the Machine Chapter 2. The 1930s: The Beauty and Sadness of the Room at the Top PART II: THE CINEMA IN PEOPLE'S POLAND: TAKING A GREAT LEAP Chapter 3. The 1950s: Holy Work? Chapter 4. The 1960s: Industrial Expansion and Small Stabilization Chapter 5. The 1970s: Bad Work and Good Life Chapter 6. The 1980s: Between Refusal to Work and Alienation of Labour PART III: POSTCOMMUNIST CINEMA: FROM TRIUMPHANT NEOLIBERALISM TO ACCUMULATION BY DISPOSSESSION Chapter 7. The 1990s: Heroic Neoliberalism or Everybody Can Be a Winner Chapter 8. The 2000s and Beyond: Accumulation by Dispossession Bibliography Index
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