The original essays in this collection chronicle the transformation of Arnold Schoenberg's works from music as pure art to music as a vehicle of religious and political ideas, during the first half of the twentieth century. This interdisciplinary volume includes contributions from musicologists, music theorists, and scholars of German literature and of Jewish studies.
The original essays in this collection chronicle the transformation of Arnold Schoenberg's works from music as pure art to music as a vehicle of religious and political ideas, during the first half of the twentieth century. This interdisciplinary volume includes contributions from musicologists, music theorists, and scholars of German literature and of Jewish studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction * Abstract Polyphonies: The Music of Schoenberg's Nietzschean Moment William Benjamin * Arnold Schoenberg as Poet and Librettist: Dualism Epiphany and Die Jakobsleiter David Schroeder * Androgyny and the Eternal Feminine in Schoenberg's Oratorio Die Jakobsleiter Jennifer Shaw * Von heute auf morgen : Schoenberg as Social Critic Stephen Davison * Schoenberg in Shirtsleeves: The Male Choruses Op. 35 Robert Falck * The Prophet and the Pitchman: Dramatic Structure and Its Musical Elucidation in Moses und Aron Act I Scene 2 Edward Latham * Schoenberg's Moses und Aro : A Vanishing Biblical Nation Bluma Goldstein * Schoenberg Rewrites His Will: A Survivor from Warsaw Op. 46 David Isadore Lieberman * Texts and Contexts of A Survivor from Warsaw Op. 46 Camille Crittenden * Returning to a Homeland: Religion and Political Context in Schoenberg's Dreimal tausend Jahre Naomi Andr * Schoenberg's Modern Psalm Op.50c and the Unattainable Ending Mark Risinger
Introduction * Abstract Polyphonies: The Music of Schoenberg's Nietzschean Moment William Benjamin * Arnold Schoenberg as Poet and Librettist: Dualism Epiphany and Die Jakobsleiter David Schroeder * Androgyny and the Eternal Feminine in Schoenberg's Oratorio Die Jakobsleiter Jennifer Shaw * Von heute auf morgen : Schoenberg as Social Critic Stephen Davison * Schoenberg in Shirtsleeves: The Male Choruses Op. 35 Robert Falck * The Prophet and the Pitchman: Dramatic Structure and Its Musical Elucidation in Moses und Aron Act I Scene 2 Edward Latham * Schoenberg's Moses und Aro : A Vanishing Biblical Nation Bluma Goldstein * Schoenberg Rewrites His Will: A Survivor from Warsaw Op. 46 David Isadore Lieberman * Texts and Contexts of A Survivor from Warsaw Op. 46 Camille Crittenden * Returning to a Homeland: Religion and Political Context in Schoenberg's Dreimal tausend Jahre Naomi Andr * Schoenberg's Modern Psalm Op.50c and the Unattainable Ending Mark Risinger
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