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This book argues that literary, filmic, and popular cultural representation of political torture has defined the torture debate that has taken place during the post-9/11 global war on terrorism. The author explores whether liberal democracies can ever legitimately perpetrate torture, with assertions that torture can function as a legitimate counterterrorism measure coming into conflict with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, reads their manifestations in a range of literary,…mehr

Produktbeschreibung
This book argues that literary, filmic, and popular cultural representation of political torture has defined the torture debate that has taken place during the post-9/11 global war on terrorism. The author explores whether liberal democracies can ever legitimately perpetrate torture, with assertions that torture can function as a legitimate counterterrorism measure coming into conflict with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, reads their manifestations in a range of literary, filmic and popular cultural texts, and assesses the material effects of these representations.
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Autorenporträt
Alex Adams is a writer and musician based in North East England. They have published four critical books on political violence in popular culture, and they are writing Godzilla: A Critical Demonology, which will be a full critical account of every Godzilla film. For full information on their writing and music, visit atadamswriting.com. They can be found on social media at @gdemonology and @AlexAdams5