This book argues that literary, filmic, and popular cultural representation of political torture has defined the torture debate that has taken place during the post-9/11 global war on terrorism. The author explores whether liberal democracies can ever legitimately perpetrate torture, with assertions that torture can function as a legitimate coun
This book argues that literary, filmic, and popular cultural representation of political torture has defined the torture debate that has taken place during the post-9/11 global war on terrorism. The author explores whether liberal democracies can ever legitimately perpetrate torture, with assertions that torture can function as a legitimate coun
Alex Adams completed his PhD in the School of English Literature, Language and Linguistics at Newcastle University, UK. He has contributed a number of journal articles and book chapters to recent publications.
Inhaltsangabe
Introduction PART ONE: CONTEXT 1: The Torture Debate Torture Islamophobia Representation 2: Camp, Colony, Counterterrorism Space Power Bodies PART TWO: TEXT 3: Another Indochina Memory The Centurions (1960) The Battle of Algiers (1966) The Little Soldier (1960/63) 4: The Ticking Bomb and Beyond 24: Day Two (2002-3) Rendition (2007) Zero Dark Thirty (2012) 5: The War Prison Guantánamo (2004) The Road to Guantánamo (2006) Standard Operating Procedure (2008) Conclusion Complicit (2013)
Introduction PART ONE: CONTEXT 1: The Torture Debate Torture Islamophobia Representation 2: Camp, Colony, Counterterrorism Space Power Bodies PART TWO: TEXT 3: Another Indochina Memory The Centurions (1960) The Battle of Algiers (1966) The Little Soldier (1960/63) 4: The Ticking Bomb and Beyond 24: Day Two (2002-3) Rendition (2007) Zero Dark Thirty (2012) 5: The War Prison Guantánamo (2004) The Road to Guantánamo (2006) Standard Operating Procedure (2008) Conclusion Complicit (2013)
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