"This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance ispolitical. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary…mehr
"This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance ispolitical. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements."--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Yeandle is Lecturer in History at Loughborough University Katherine Newey is Professor of Theatre History at the University of Exeter Jeffrey Richards is Emeritus Professor of Cultural History at the University of Lancaster
Inhaltsangabe
Introduction: politics, performance and popular culture - Peter Yeandle, Katherine Newey and Jeffrey Richards Part I: Conceptualising performance, theorising politics 1. 'To the last drop of my blood': melodrama and politics in late Georgian England' - Robert Poole 2. The platform and the stage: the primary aesthetics of Chartism - Michael Sanders 3. 'Bubbles of the day': the melodramatic and the pantomimic - Katherine Newey 4. Theatrical hierarchy, cultural capital and legitimate/illegitimate divide - Caroline Radcliffe 5. Performances for imagined communities: Gladstone, the national theatre and the contested didactics of the stage - Anselm Heinrich 6. Women's suffrage and theatricality - Sos Eltis Part II: Politics in performance 7. English pantomime and the Irish question - Jill Sullivan 8. 'Executed with remarkable care and artistic feeling': popular imperialism and the music hall ballet - Jane Pritchard and Peter Yeandle 9. Drury Lane imperialism - Jeffrey Richards Part III: The performance of politics 10. 'Love, bitter wrong, freedom, sad pity, and lust of power': politics and performance in 1820 - Malcolm Chase 11. Robert Peel - actor dramatist - Richard Gaunt 12. The performance of protest: the 1889 dock strike on and off the stage - Janice Norwood 13. Class, performance and socialist politics: the political campaigns of early labour leaders - Marcus Morris Index
Introduction: politics, performance and popular culture - Peter Yeandle, Katherine Newey and Jeffrey Richards Part I: Conceptualising performance, theorising politics 1. 'To the last drop of my blood': melodrama and politics in late Georgian England' - Robert Poole 2. The platform and the stage: the primary aesthetics of Chartism - Michael Sanders 3. 'Bubbles of the day': the melodramatic and the pantomimic - Katherine Newey 4. Theatrical hierarchy, cultural capital and legitimate/illegitimate divide - Caroline Radcliffe 5. Performances for imagined communities: Gladstone, the national theatre and the contested didactics of the stage - Anselm Heinrich 6. Women's suffrage and theatricality - Sos Eltis Part II: Politics in performance 7. English pantomime and the Irish question - Jill Sullivan 8. 'Executed with remarkable care and artistic feeling': popular imperialism and the music hall ballet - Jane Pritchard and Peter Yeandle 9. Drury Lane imperialism - Jeffrey Richards Part III: The performance of politics 10. 'Love, bitter wrong, freedom, sad pity, and lust of power': politics and performance in 1820 - Malcolm Chase 11. Robert Peel - actor dramatist - Richard Gaunt 12. The performance of protest: the 1889 dock strike on and off the stage - Janice Norwood 13. Class, performance and socialist politics: the political campaigns of early labour leaders - Marcus Morris Index
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