The first study of the role of commercial imagery in nineteenth-century politics, Politics personified shows how visual images projected a favourable public image of politics and politicians. Drawing on a vast and diverse range of sources, this book highlights how and why politics was visualised.
The first study of the role of commercial imagery in nineteenth-century politics, Politics personified shows how visual images projected a favourable public image of politics and politicians. Drawing on a vast and diverse range of sources, this book highlights how and why politics was visualised.
Henry Miller is Lecturer in Nineteenth-Century British History at the University of Manchester
Inhaltsangabe
Introduction 1. The visual culture of reform, 1830-32 2. Party politics and portraiture, 1832-46 3. Radical visual culture: from caricature to portraiture 4. Reforming pantheons: political group portraiture and history painting 5. Representing the representatives: MPs and portraiture 6. Palmerston and his rivals 7. Disraeli, Gladstone and the personification of party, 1868-80 Conclusion Select bibliography Index
Introduction 1. The visual culture of reform, 1830-32 2. Party politics and portraiture, 1832-46 3. Radical visual culture: from caricature to portraiture 4. Reforming pantheons: political group portraiture and history painting 5. Representing the representatives: MPs and portraiture 6. Palmerston and his rivals 7. Disraeli, Gladstone and the personification of party, 1868-80 Conclusion Select bibliography Index
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