Catherine A. Bradley is Associate Professor at the Universitetet i Oslo. She has published widely on the earliest motets in journals including Speculum, the Journal of Musicology, Music Analysis, and Early Music History.
List of figures
List of tables
List of musical examples
Acknowledgements
Manuscript sigla
Abbreviations
A note on transcriptions and numbering systems
Introduction
1. Plainchant in polyphony: the gradual Propter Veritatem in organa, clausulae and motets
2. Mini clausulae and the Magnus Liber Organi
3. Texting clausulae: repetition and regularity on the Regnat tenor
4. Transcribing motets: vernacular refrain melodies in Magnus Liber clausulae
5. Framing motets: quoting and crafting refrains against plainchant tenors
6. Intertextuality, song and female voices in motets on a Saint Elizabeth of Hungary tenor
7. From Florence to Fauvel: re-reading musical paradigms through a long-lived Iohanne motet
8. Conclusions
Bibliography
Index.
