Presented for the first time in a fully annotated edition, Ponteach takes on questions of nationalism, religion, race, cultural identity, gender, and sexuality; the play offers a unique perspective on the Rebellion and on the emergence of Canadian and American identities.
Presented for the first time in a fully annotated edition, Ponteach takes on questions of nationalism, religion, race, cultural identity, gender, and sexuality; the play offers a unique perspective on the Rebellion and on the emergence of Canadian and American identities.
Tiffany Potter teaches eighteenth-century British and American literature at the University of British Columbia. Her most recent book is the edited collection Women, Popular Culture, and the Eighteenth Century.
Inhaltsangabe
Illustrations Acknowledgments A Note on the Text and Publication History Introduction: Staging Savagery and Fictionalizing Colonialism in Robert Rogers' Ponteach: A Tragedy Ponteach: or the Savages of America. A Tragedy Appendix A: Excerpts from Robert Rogers' A Concise Account of North America Appendix B: Excerpts from The Journal of Pontiac's Conspiracy Appendix C: Contemporary Reviews of the Work of Robert Rogers Appendix D: Contemporary Reports on the Life of Robert Rogers Bibliography Index
Illustrations Acknowledgments A Note on the Text and Publication History Introduction: Staging Savagery and Fictionalizing Colonialism in Robert Rogers' Ponteach: A Tragedy Ponteach: or the Savages of America. A Tragedy Appendix A: Excerpts from Robert Rogers' A Concise Account of North America Appendix B: Excerpts from The Journal of Pontiac's Conspiracy Appendix C: Contemporary Reviews of the Work of Robert Rogers Appendix D: Contemporary Reports on the Life of Robert Rogers Bibliography Index
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