The bio-politics surrounding the contemporary human-nonhuman animal relationship have become a complex and sensitive topic. When this relationship is analyzed from a contemporary art viewpoint - being both ethics and aesthetics branches of philosophy, it seems even more complicated to frame and create an adequate context for it. Nevertheless, the shift to a dialogic system of communication through the implementation of aesthetic research could lead us to new forms of experiencing the animal 'other', redefining our assumption of what we understand as 'interactive' art.