What defines pop music? Why do we consider some styles as easier listening than others? This collection of essays by a group of international scholars shows how academics have responded to questions such as these within pop criticism over the last twenty-five years. The intellectual perspectives on offer present the interdisciplinary aspects of stu
What defines pop music? Why do we consider some styles as easier listening than others? This collection of essays by a group of international scholars shows how academics have responded to questions such as these within pop criticism over the last twenty-five years. The intellectual perspectives on offer present the interdisciplinary aspects of stuHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Stan Hawkins is Professor of Musicology, University of Oslo, Norway
Inhaltsangabe
Contents: Introduction; Part I Aesthetics and Authenticity: 'Sing it for me': posthuman ventriloquism in recent popular music Joseph Auner; Art versus technology: the strange case of popular music Simon Frith; Pearls and swine: the intellectuals and the mass media Simon Frith and Jon Savage; Remodeling Britney Spears: matters of intoxication and mediation Stan Hawkins and John Richardson; The production of success: an anti-musicology of the pop song Antoine Hennion; In excess? Body genres 'bad' music and the judgment of audiences Leslie M. Meier; Hits and misses: crafting a pop single for the top-40 market in the 1960s Robert Toft. Part II Groove Sampling and Production: Frank Sinatra: the television years - 1950-1960 Albert Auster; Mediating music: materiality and silence in Madonna's Don't Tell Me Anne Danielsen and Arnt Maasÿ; Sample and hold: pop music in the digital age of reproduction Andrew Goodwin; 'Caught in a whirlpool of aching sound': the production of dance music in Britain in the 1920s Mark Hustwitt; Spice world: constructing femininity the popular way Dafna Lemish; Modelling the groove: conceptual structure and popular music Lawrence M. Zbikowski. Part III Subjectivity Ethnicity and Politics: Like a virgin-mother? Materialism and maternalism in the songs of Madonna Barbara Bradby; 'That ill tight sound': telepresence and biopolitics in post-Timbaland rap production Dale Chapman; Sex pulp and critique Eric F. Clarke and Nicola Dibben; Pop and the nation-state: towards a theorisation Martin Cloonan; Believe? Vocoders digitalized female identity and camp Kay Dickinson; Music and Canadian nationhood post 9/11: an analysis of Music Without Borders: Live Susan Fast and Karen Pegley; Black pop songwriting 1963-1966: an analysis of US top 40 hits by Cooke Mayfield Stevenson Robinson and Holland-Dozier-Holland Jon Fitzgerald; 'A fifth of Beethoven': disco classical music and the politics of inclusion Ken McLeod; 'The di
Contents: Introduction; Part I Aesthetics and Authenticity: 'Sing it for me': posthuman ventriloquism in recent popular music Joseph Auner; Art versus technology: the strange case of popular music Simon Frith; Pearls and swine: the intellectuals and the mass media Simon Frith and Jon Savage; Remodeling Britney Spears: matters of intoxication and mediation Stan Hawkins and John Richardson; The production of success: an anti-musicology of the pop song Antoine Hennion; In excess? Body genres 'bad' music and the judgment of audiences Leslie M. Meier; Hits and misses: crafting a pop single for the top-40 market in the 1960s Robert Toft. Part II Groove Sampling and Production: Frank Sinatra: the television years - 1950-1960 Albert Auster; Mediating music: materiality and silence in Madonna's Don't Tell Me Anne Danielsen and Arnt Maasÿ; Sample and hold: pop music in the digital age of reproduction Andrew Goodwin; 'Caught in a whirlpool of aching sound': the production of dance music in Britain in the 1920s Mark Hustwitt; Spice world: constructing femininity the popular way Dafna Lemish; Modelling the groove: conceptual structure and popular music Lawrence M. Zbikowski. Part III Subjectivity Ethnicity and Politics: Like a virgin-mother? Materialism and maternalism in the songs of Madonna Barbara Bradby; 'That ill tight sound': telepresence and biopolitics in post-Timbaland rap production Dale Chapman; Sex pulp and critique Eric F. Clarke and Nicola Dibben; Pop and the nation-state: towards a theorisation Martin Cloonan; Believe? Vocoders digitalized female identity and camp Kay Dickinson; Music and Canadian nationhood post 9/11: an analysis of Music Without Borders: Live Susan Fast and Karen Pegley; Black pop songwriting 1963-1966: an analysis of US top 40 hits by Cooke Mayfield Stevenson Robinson and Holland-Dozier-Holland Jon Fitzgerald; 'A fifth of Beethoven': disco classical music and the politics of inclusion Ken McLeod; 'The di
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