First published in 1990, Popular Fiction looks at popular fiction in its literary, filmic, and televisual forms. They range across the main genres of popular fiction: science fiction, soap opera, detective fiction, the spy-thriller, the western, film noir, and comedy. Grouped into sections, the essays explore major themes in the study of popular fiction: the functioning of popular fiction within technologies of cultural regulation, the relations between popular fiction and nationalism; the connections between popular fictions and relations of power and knowledge; and the social and ideological…mehr
First published in 1990, Popular Fiction looks at popular fiction in its literary, filmic, and televisual forms. They range across the main genres of popular fiction: science fiction, soap opera, detective fiction, the spy-thriller, the western, film noir, and comedy. Grouped into sections, the essays explore major themes in the study of popular fiction: the functioning of popular fiction within technologies of cultural regulation, the relations between popular fiction and nationalism; the connections between popular fictions and relations of power and knowledge; and the social and ideological factors moulding both the production and reading of popular fictions. Designed especially as a student text, this book will be invaluable to students of English and literary studies, media studies, film and TV studies, communication studies, and cultural studies.
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Autorenporträt
Tony Bennett
Inhaltsangabe
New Preface Series editors' preface Preface Acknowledgements 1. The technology and the society2. On screen, in frame: film and ideology3. Broadcast TV as cultural form4. 'While Millicent bucked and writhed...'5. Apprehensions of time6. The language of detection7. Scotland and cinema: the iniquity of the fathers8. Representing the nation9. Afterthoughts on 'Visual pleasure and narrative cinema' inspired by Duel in the Sun 10. Women in film noir 11. Sexual disguise and cinema12. The search for tomorrow in today's soap operas13. From the flaneur to the detective: interpreting the city of Poe14. Clues15. Morelli, Freud and Sherlock Holmes: clues and scientific method16. Deconstructing the text: Sherlock Holmes17. Send-up: authorship and organization18. The making of (the) MTM (show)19. Made in Ealing20. Out of what past? Notes on the B film noir 21. The operational aesthetic22. Peter Pan and the commercialization of the child23. Figures of Bond24. Television and gender David Morley Bibliography Index
New Preface Series editors' preface Preface Acknowledgements 1. The technology and the society2. On screen, in frame: film and ideology3. Broadcast TV as cultural form4. 'While Millicent bucked and writhed...'5. Apprehensions of time6. The language of detection7. Scotland and cinema: the iniquity of the fathers8. Representing the nation9. Afterthoughts on 'Visual pleasure and narrative cinema' inspired by Duel in the Sun 10. Women in film noir 11. Sexual disguise and cinema12. The search for tomorrow in today's soap operas13. From the flaneur to the detective: interpreting the city of Poe14. Clues15. Morelli, Freud and Sherlock Holmes: clues and scientific method16. Deconstructing the text: Sherlock Holmes17. Send-up: authorship and organization18. The making of (the) MTM (show)19. Made in Ealing20. Out of what past? Notes on the B film noir 21. The operational aesthetic22. Peter Pan and the commercialization of the child23. Figures of Bond24. Television and gender David Morley Bibliography Index
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