Arved Ashby

Popular Music and the New Auteur

Visionary Filmmakers After MTV

• Broschiertes Buch

Produktbeschreibung

Popular Music and the New Auteur looks at seven contemporary directors whose feature films are characterized by music-video aesthetics. Demonstrating a fresh kind of cinematic musicality, these filmmakers write against music rather than against script, and allow pop songs a determining role in narrative and imagery.

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Produktdetails

• Verlag: OUP US
• Seitenzahl: 230
• Erscheinungstermin: 25. November 2013
• Englisch
• Abmessung: 234mm x 156mm x 14mm
• Gewicht: 399g
• ISBN-13: 9780199827350
• ISBN-10: 0199827354
• Artikelnr.: 38078304

Autorenporträt

Arved Ashby is Professor of Music at The Ohio State University, where he teaches courses on 19th-, 20th-, and 21st-century music in contexts of cultural history, critical theory, post-Marxist aesthetics, and media and communications. He is editor of Listening to Modernism: Intention, Meaning, and the Compositional Avant-garde (Rochester, 2004) and author of Absolute Music, Mechanical Reproduction (California, 2010)

Inhaltsangabe

* Table of Contents
* Introduction / Arved Ashby
* Music and Cinematic Time
* 1. "Without Music I Would Be Lost": Scorsese, Goodfellas, and a New
Soundtrack Practice / Julie Hubbert
* 2. Lost in Translation: Popular Music and The Melodramatic Mode of
Sofia Coppola / Tim Anderson
* Music and the Image
* 3. A Musical Tour of the Bizarre: Popular Music as Fantasy in David
Lynch / Gene Willet
* 4. Songs of Delusion: Popular Music and the Aesthetics of the Self in
Wong Kar-wai's Cinema / Giorgio Biancorosso
* Music as Instrument of Irony and Authenticity
* 5. O Brother Where Chart Thou?: Pop Music and the Coen Brothers /
Jeff Smith
* 6. You've Heard This One Before: Quentin Tarantino's Scoring
Practices from Kill Bill to Inglourious Basterds / Ken Garner
* 7. Wes Anderson, Ironist and Auteur / Arved Ashby
* Bibliography
* Index