This book offers a compelling, in-depth overview of popular music's significance as an aspect of contemporary history and heritage. Bringing together a selection of wide-ranging contributions from Europe and Australia, this book demonstrates the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society.…mehr
This book offers a compelling, in-depth overview of popular music's significance as an aspect of contemporary history and heritage. Bringing together a selection of wide-ranging contributions from Europe and Australia, this book demonstrates the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University in Queensland, Australia. He has authored and edited over 20 books including Popular Music and Youth Culture, Music, Style and Aging and Music Scenes (with Richard A. Peterson). Susanne Janssen is Professor of Sociology of Media and Culture in the Department of Media and Communication at Erasmus University Rotterdam the Erasmus Research Centre in Media, Communication and Culture, The Netherlands. She has published widely on the agents and institutions involved in the creation, dissemination and valuation of literature and other art forms.
Inhaltsangabe
Introduction: Popular Music, Cultural Memory, and Heritage 1. Historical Records, National Constructions: The Contemporary Popular Music Archive 2. Popular Music and Materiality: Memorabilia and Memory Traces 3. Articulations of Identity and Distinction: The Meanings of Language in Dutch Popular Music 4. Not Singing in Tune: The Hor 29 Novembar Choir and the Invention of a Translocal Do-It-Yourself Popular Music Heritage in Austria 5. The Aesthetics of Slovene Popular Music for Different Generations of Slovene Listeners: The Contribution of Audience Research 6. Talk of Heritage: Critical Benchmarks and DIY Preservationism in Progressive Rock
Introduction: Popular Music, Cultural Memory, and Heritage 1. Historical Records, National Constructions: The Contemporary Popular Music Archive 2. Popular Music and Materiality: Memorabilia and Memory Traces 3. Articulations of Identity and Distinction: The Meanings of Language in Dutch Popular Music 4. Not Singing in Tune: The Hor 29 Novembar Choir and the Invention of a Translocal Do-It-Yourself Popular Music Heritage in Austria 5. The Aesthetics of Slovene Popular Music for Different Generations of Slovene Listeners: The Contribution of Audience Research 6. Talk of Heritage: Critical Benchmarks and DIY Preservationism in Progressive Rock
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