Popular Musicology and Identity paves new paths for studying popular musicâ s entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors
Popular Musicology and Identity paves new paths for studying popular musicâ s entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factorsHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kai Arne Hansen is Associate Professor of Music at the Department of Arts and Cultural Studies, Inland Norway University of Applied Sciences. Eirik Askerøi is Associate Professor of Music at the Department of Arts and Cultural Studies, Inland Norway University of Applied Sciences. Freya Jarman is Reader in Music at the Department of Music, University of Liverpool.
Inhaltsangabe
Introduction: a musicology of popular music and identity KAI ARNE HANSEN, EIRIK ASKERØI, AND FREYA JARMAN 1 The British dandy on the popular musical stage (1866-1915) DEREK B. SCOTT 2 'She Said She Said': the influence of feminine 'voices' on John Lennon's music 32 MATTHEW BANNISTER AND MEGAN ROGERSON-BERRY 3 The classical closet SUSAN MCCLARY 4 Perfect duet? Paradoxes of gender representation and mixedgender collaborations on the Billboard charts from 1955 to 2017 BARBARA BRADBY 5 The pleasure(s) of the pop text: subversion and theatricality in Cloroform and Tove Lo JON MIKKEL BROCH ÅLVIK 6 'Everyone is a little bit gay': LGBTIQ activism in Finnish pop music of the 21st century SUSANNAVÄLIMÄKI 7 'Keeping it real', 'Keeping it dandy'? Male blackness and the popular music mainstream ANNE DANIELSEN 8 Global success, identitarian performance, and Canadian popular music WILL STRAW 9 'Very' British: a pop musicological approach to the Pet Shop Boys' 'Always on My Mind' SHARA RAMBARRAN 10 Pulp: a paradigm for perversion in pornosonic pop KENNETH SMITH 11 Regina Spektor's Small Bill$: the cute and the manic-zany as body-political strategies JOHN RICHARDSON AND ANNA-ELENA PÄÄKKÖLÄ 12 Masculinity and the illness narrative in Pain of Salvation's In the Passing Light of Day LORI BURNS
Introduction: a musicology of popular music and identity KAI ARNE HANSEN, EIRIK ASKERØI, AND FREYA JARMAN 1 The British dandy on the popular musical stage (1866-1915) DEREK B. SCOTT 2 'She Said She Said': the influence of feminine 'voices' on John Lennon's music 32 MATTHEW BANNISTER AND MEGAN ROGERSON-BERRY 3 The classical closet SUSAN MCCLARY 4 Perfect duet? Paradoxes of gender representation and mixedgender collaborations on the Billboard charts from 1955 to 2017 BARBARA BRADBY 5 The pleasure(s) of the pop text: subversion and theatricality in Cloroform and Tove Lo JON MIKKEL BROCH ÅLVIK 6 'Everyone is a little bit gay': LGBTIQ activism in Finnish pop music of the 21st century SUSANNAVÄLIMÄKI 7 'Keeping it real', 'Keeping it dandy'? Male blackness and the popular music mainstream ANNE DANIELSEN 8 Global success, identitarian performance, and Canadian popular music WILL STRAW 9 'Very' British: a pop musicological approach to the Pet Shop Boys' 'Always on My Mind' SHARA RAMBARRAN 10 Pulp: a paradigm for perversion in pornosonic pop KENNETH SMITH 11 Regina Spektor's Small Bill$: the cute and the manic-zany as body-political strategies JOHN RICHARDSON AND ANNA-ELENA PÄÄKKÖLÄ 12 Masculinity and the illness narrative in Pain of Salvation's In the Passing Light of Day LORI BURNS
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