Pornography, Indigeneity and Neocolonialism examines how pornography operates as a representational system that authenticates settler colonies, focussing on American and Australian examples to reveal how pornography encodes whiteness, pleasure, colonisation and Indigeneity.
Pornography, Indigeneity and Neocolonialism examines how pornography operates as a representational system that authenticates settler colonies, focussing on American and Australian examples to reveal how pornography encodes whiteness, pleasure, colonisation and Indigeneity.
Tim Gregory is a Lecturer in Art at UNSW, Sydney. He is an artist and writer who researches the intersection of pornography, colonialism, art and politics. He is interested in experimental art and writing that critiques heterosexual culture. Tim has exhibited work at the Museum of Contemporary Art (Sydney), the Art Gallery of NSW and the Venice Arsenale. He has been selected for the Arte Laguna Prize, 8th Biennial of Contemporary Textile Art and The Blake Prize. He has published in Porn Studies, Sexualities, CSR and the Space and Culture Journal.
Inhaltsangabe
Introduction Colonial Pornographic Exotica The Absence of Indigenous People in Pornography The Colonial Cumshot
