In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.
In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.
List of Illustrations Acknowledgments Preface Introduction: The Iconography of the Mulatta Chapter 1. "A Plea for Color": Nella Larsen's Textual Tableaux Chapter 2. Jessie Fauset's New Negro Woman Artist and the Passing Market Chapter 3. "Black Beauty Betrayed": The Modernist Mulaata in Black and White Chapter 4. The Geography of the Mulatta in Jean Toomer's Cane Chapter 5. Redressing the New Negro Woman Notes Bibliography Index
List of Illustrations Acknowledgments Preface Introduction: The Iconography of the Mulatta Chapter 1. "A Plea for Color": Nella Larsen's Textual Tableaux Chapter 2. Jessie Fauset's New Negro Woman Artist and the Passing Market Chapter 3. "Black Beauty Betrayed": The Modernist Mulaata in Black and White Chapter 4. The Geography of the Mulatta in Jean Toomer's Cane Chapter 5. Redressing the New Negro Woman Notes Bibliography Index
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