Exploring representations of happiness and other positive emotions in early modern Europe, this volume brings together interdisciplinary approaches informed by affect theory, history of emotions research, and the contemporary cognitive sciences to highlight the meanings and valuations of good feelings in the Renaissance. -- .
Exploring representations of happiness and other positive emotions in early modern Europe, this volume brings together interdisciplinary approaches informed by affect theory, history of emotions research, and the contemporary cognitive sciences to highlight the meanings and valuations of good feelings in the Renaissance. -- .
Cora Fox is Associate Professor of English at Arizona State University Bradley J. Irish is Associate Professor of English at Arizona State University Cassie M. Miura is Assistant Teaching Professor in the Division of Culture, Arts, and Communication at University of Washington, Tacoma
Inhaltsangabe
Introduction Cora Fox, Bradley J. Irish, and Cassie C. Miura Part I: Rewriting Discourses of Pleasure 1 Happy Hamlet Richard Strier 2 Therapeutic Laughter in Robert Burton's The Anatomy of Melancholy Cassie Miura 3 The Pleasure of the Text: Reading and Happiness in Rabelais and Montaigne Ian Frederick Moulton 4 Pleasure and the "Rustic Life" Ullrich Langer Part II: Imagining Happy Communities 5 The Theology of Cheer, Erasmus to Shakespeare Timothy Hampton 6 'My Crown is Called Content': Positive, Negative, and Political Affects in Shakespeare's First Tetralogy Paul Joseph Zajac 7 Solidarity as Ritual in the Late Elizabethan Court: Faction, Emotion, and the Essex Circle Bradley J. Irish 8 Merriness, Affect and Community in Shakespeare's Merry Wives of Windsor Cora Fox Part III: Forms, Attachment, and Ambivalence 9 Happy Objects and Earthly Pleasure in Thomas Traherne's Devotional Poetry Leila Watkins 10 Trust and Disgust : The Precariousness of Positive Emotions in Webster's The Duchess of Malfi Lalita Pandit Hogan 11 'My heart is satisfied': Revenge, Justice and Satisfaction in The Spanish Tragedy Eonjoo Park 12 All's Well That Ends Well? Happiness, Ambivalence, and Story Genre Patrick Colm Hogan Afterword Michael Schoenfeldt Index
Introduction Cora Fox, Bradley J. Irish, and Cassie C. Miura Part I: Rewriting Discourses of Pleasure 1 Happy Hamlet Richard Strier 2 Therapeutic Laughter in Robert Burton's The Anatomy of Melancholy Cassie Miura 3 The Pleasure of the Text: Reading and Happiness in Rabelais and Montaigne Ian Frederick Moulton 4 Pleasure and the "Rustic Life" Ullrich Langer Part II: Imagining Happy Communities 5 The Theology of Cheer, Erasmus to Shakespeare Timothy Hampton 6 'My Crown is Called Content': Positive, Negative, and Political Affects in Shakespeare's First Tetralogy Paul Joseph Zajac 7 Solidarity as Ritual in the Late Elizabethan Court: Faction, Emotion, and the Essex Circle Bradley J. Irish 8 Merriness, Affect and Community in Shakespeare's Merry Wives of Windsor Cora Fox Part III: Forms, Attachment, and Ambivalence 9 Happy Objects and Earthly Pleasure in Thomas Traherne's Devotional Poetry Leila Watkins 10 Trust and Disgust : The Precariousness of Positive Emotions in Webster's The Duchess of Malfi Lalita Pandit Hogan 11 'My heart is satisfied': Revenge, Justice and Satisfaction in The Spanish Tragedy Eonjoo Park 12 All's Well That Ends Well? Happiness, Ambivalence, and Story Genre Patrick Colm Hogan Afterword Michael Schoenfeldt Index
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