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This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when…mehr

Produktbeschreibung
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.

Autorenporträt
Riyukta Raghunath is a Lecturer in the English department at New College of the Humanities, UK. 
Rezensionen
"Raghunath's book should be of interest both to scholars of this particular genre and to theoreticians tracing continuities between multiple genres. ... Possible Worlds Theory and Counterfactual Historical Fiction is a valuable update of Possible Worlds Theory, one which can potentially lead to useful literary analyses dealing with a much wider spectrum of fictional works - opening up the field of fictional semantics to the challenges of narrating alternative versions of the past and the future." (Alexander Popov, Fantastika Journal, Vol. 6 (1), February, 2022)