Offers a comparative analysis of Maghrebi-French and North African emigre cinema in France. Through a detailed study of this transformative decade for Maghrebi-French and North African emigre filmmaking in France, this book argues for the emergence of a 'Post-Beur' cinema in the 2000s that is simultaneously global and local in its outlook.
Offers a comparative analysis of Maghrebi-French and North African emigre cinema in France. Through a detailed study of this transformative decade for Maghrebi-French and North African emigre filmmaking in France, this book argues for the emergence of a 'Post-Beur' cinema in the 2000s that is simultaneously global and local in its outlook.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Will Higbee is a Professor of Film Studies at the University of Exeter. He has published widely on cinemas of the Maghreb and their diasporas, as well as questions of national and transnational cinema. He is the author of Post-Beur Cinema (2013) and co-editor of De-Westernizing Film Studies (2012).
Inhaltsangabe
Introduction: from immigrant cinema to national cinema 1.The Maghrebi-French connection: diaspora goes mainstream 2. Colonial fracture and the counter heritage film 3. Of spaces and difference in the films of Abdellatif Kechiche 4. Home, displacement and the myth of return: journey narratives in the 2000s 5. Screening Islam: cinematic representations of the Muslim community in France in the 2000s 6. Conclusion: Post-Beur cinema Bibliography Endnotes
Introduction: from immigrant cinema to national cinema 1.The Maghrebi-French connection: diaspora goes mainstream 2. Colonial fracture and the counter heritage film 3. Of spaces and difference in the films of Abdellatif Kechiche 4. Home, displacement and the myth of return: journey narratives in the 2000s 5. Screening Islam: cinematic representations of the Muslim community in France in the 2000s 6. Conclusion: Post-Beur cinema Bibliography Endnotes
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