Post-Communist Malaise examines political modernism within the context of post-communist Eastern Europe and the Balkans. It focuses on how select cinemas from the regions critique European unification and how they represent related issues like the transition from communism to free-market capitalism, the Euro crisis and austerity, and the rise of nationalism and right-wing politics.
Post-Communist Malaise examines political modernism within the context of post-communist Eastern Europe and the Balkans. It focuses on how select cinemas from the regions critique European unification and how they represent related issues like the transition from communism to free-market capitalism, the Euro crisis and austerity, and the rise of nationalism and right-wing politics. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Zoran Samardzija is an associate professor in the Department of Cinema and Television Arts at Columbia College, Chicago. He is the author of essays on David Lynch, Andrei Tarkovsky, and Eastern European and Balkan cinemas.
Inhaltsangabe
Contents Introduction 1 Eastern European New Waves and Political Modernism
2 What Happens After the End of History? Part I From Communism to Capitalism Part II From Capitalism to Nationalism 3 Slow Cinema and The Escape From Capitalist Realism Part I The Materiality of Cinematic Time from Andrei Tarkovsky to Béla Tarr Part II Cristi Puiu Between Slow Cinema and Transcendental Style 4 Theo Angelopoulos, Greece, and The Ends of Europe Part I A New Collective Dream Part II Cinema As Past and Future Conclusion Acknowledgements Index
Contents Introduction 1 Eastern European New Waves and Political Modernism
2 What Happens After the End of History? Part I From Communism to Capitalism Part II From Capitalism to Nationalism 3 Slow Cinema and The Escape From Capitalist Realism Part I The Materiality of Cinematic Time from Andrei Tarkovsky to Béla Tarr Part II Cristi Puiu Between Slow Cinema and Transcendental Style 4 Theo Angelopoulos, Greece, and The Ends of Europe Part I A New Collective Dream Part II Cinema As Past and Future Conclusion Acknowledgements Index
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