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This book presents an overview of the convergence of traditional letterpress with contemporary digital design and fabrication practices. Reflecting on the role of letterpress within the emergent hybrid post-digital design process, contributors present historical and contemporary analysis, grounded in case studies and current practice. The main themes covered include the research on letterpress as a technology and medium; a reflection on the contribution of letterpress to arts and design education; and current artistic and communication design practice merging past, present and future digital…mehr

Produktbeschreibung
This book presents an overview of the convergence of traditional letterpress with contemporary digital design and fabrication practices. Reflecting on the role of letterpress within the emergent hybrid post-digital design process, contributors present historical and contemporary analysis, grounded in case studies and current practice. The main themes covered include the research on letterpress as a technology and medium; a reflection on the contribution of letterpress to arts and design education; and current artistic and communication design practice merging past, present and future digital fabrication processes. This will be of interest to scholars working in graphic design, communication design, book design, typography, typeface design, design history, printing, and production technologies.
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Autorenporträt
Pedro Manuel Reis Amado is Assistant Professor in the Faculty of Fine Arts at the University of Porto, and member of the i2ADS Research Institute. Ana Catarina Silva is Assistant Professor in the School of Design at the Polytechnic Institute of Cávado and Ave, and member of the ID+ / CAOS Research Institute. Vítor Quelhas is Assistant Professor in the School of Media Arts and Design at the Polytechnic Institute of Porto, and member of the ID+ / Unimad Research Institutes.