David Church is a film and media scholar specializing in genre studies, taste cultures, and histories of film circulation. He is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (EUP, 2015), Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema (Bloomsbury, 2016), and Mortal Kombat: Games of Death (University of Michigan Press, 2022).
Inhaltsangabe
Figures Acknowledgments 1. Apprehension Engines: Defining a New Wave of Art-Horror Cinema 2. "Slow," "Smart," "Indie," "Prestige," "Elevated": Discursive Struggle for Cultural Distinction 3. Grief, Mourning, and the Horrors of Familial Inheritance 4. Horror by Gaslight: Epistemic Violence and Ambivalent Belonging 5. Beautiful, Horrible Desolation: Landscape in Post-Horror Cinema 6. Queer Ethics and the Urban Ruin-Porn Landscape: The Horrors of Monogamy in It Follows 7. Existential Dread and the Trouble with Transcendence Selected Bibliography Index
Figures Acknowledgments 1. Apprehension Engines: Defining a New Wave of Art-Horror Cinema 2. "Slow," "Smart," "Indie," "Prestige," "Elevated": Discursive Struggle for Cultural Distinction 3. Grief, Mourning, and the Horrors of Familial Inheritance 4. Horror by Gaslight: Epistemic Violence and Ambivalent Belonging 5. Beautiful, Horrible Desolation: Landscape in Post-Horror Cinema 6. Queer Ethics and the Urban Ruin-Porn Landscape: The Horrors of Monogamy in It Follows 7. Existential Dread and the Trouble with Transcendence Selected Bibliography Index
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