Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.
Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
George Larkin is the Chair and an Associate Professor of Filmmaking at Woodbury University in Burbank, CA. He has a B.A. from Yale University, an M.A. in Shakespearean Studies from the University of Birmingham (England), and a Ph.D. in Film and Media Studies from the University of California, Berkeley.
Inhaltsangabe
Introduction: Post-Production: An Invisible Art Chapter One: The Invisible Revolution: the Art of Post-Production Chapter Two: The Post-Production Process of Silent Film Chapter Three: A Sense of Sound in the "Silent" Era Chapter Four: Transition to Post-Production: The Rapid Rise and Fall of the Monitor Ma Chapter Five: The Art and Science of Film Engineers Chapter Six: Coverage and Post-Production Chapter Seven: Post-Production: Past, Present, and Future Coda: The Perpetual Revolution and Evolution
Introduction: Post-Production: An Invisible Art Chapter One: The Invisible Revolution: the Art of Post-Production Chapter Two: The Post-Production Process of Silent Film Chapter Three: A Sense of Sound in the "Silent" Era Chapter Four: Transition to Post-Production: The Rapid Rise and Fall of the Monitor Ma Chapter Five: The Art and Science of Film Engineers Chapter Six: Coverage and Post-Production Chapter Seven: Post-Production: Past, Present, and Future Coda: The Perpetual Revolution and Evolution
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