Postapocalyptic Intruder: Art, Consciousness, Sensation - Kosovic, Lamia
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Postapocalyptic Intruder: Art, Consciousness, Sensation is a cartographic investigation into the aesthetics of force and sensation, and into an experimental "pragmatics of becoming" in the science-fiction art of Enki Bilal, French graphic novelist and film director. The study is inclined to transgress the rigid boundaries of logics of identity, non-contradiction, and excluded others in favor of attuning to the processes that unfold new and affirmative approaches to the production of subjectivity, specifically, the approaches that consist of the processual dynamics of human and non-human bodies…mehr

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Produktbeschreibung
Postapocalyptic Intruder: Art, Consciousness, Sensation is a cartographic investigation into the aesthetics of force and sensation, and into an experimental "pragmatics of becoming" in the science-fiction art of Enki Bilal, French graphic novelist and film director. The study is inclined to transgress the rigid boundaries of logics of identity, non-contradiction, and excluded others in favor of attuning to the processes that unfold new and affirmative approaches to the production of subjectivity, specifically, the approaches that consist of the processual dynamics of human and non-human bodies in "coagulation" or assemblage with each other. Parallel, the book explores Bilal's art as a pure being of sensation, a body that performs, a material capture, that is, an aesthetics of sensations.
Autorenporträt
Lamia Kosovic is a writer and philosopher. She has a PhD in Art, Philosophy and Critical Thought, MA in Media Studies, and BA in Film Studies. Lamia published Re-imag(in)ing of the Posthuman, Sensation and Embodiments of the Real, along with few other philosophical writings in visual arts and embodiment. She is living with her daughter in the US.