Postcolonial Cinema Studies
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How does postcolonial theory recast the debates in cinema studies, and with what aesthetic, economic and political implications? How does postcolonial cinema, in turn, contribute to and, at times, reframe postcolonial debates? Postcolonial cinema is presented here not a rigid category within which cinematic productions from the 'Third World' or the 'Global South' are to be confined, but as a critical tool with which to address issues of counter-hegemony, resistance, and alternative forms of representation in film productions, past and recent. Contributors include: Jude Akudinobi, Kanika Batra,…mehr

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Produktbeschreibung
How does postcolonial theory recast the debates in cinema studies, and with what aesthetic, economic and political implications? How does postcolonial cinema, in turn, contribute to and, at times, reframe postcolonial debates? Postcolonial cinema is presented here not a rigid category within which cinematic productions from the 'Third World' or the 'Global South' are to be confined, but as a critical tool with which to address issues of counter-hegemony, resistance, and alternative forms of representation in film productions, past and recent. Contributors include: Jude Akudinobi, Kanika Batra, Ruth Ben-Ghiat, Julie Codell, Sabine Doran, Hamish Ford, Claudia Hoffmann, Anik Imre, Paulo de Medeiros, Panivong Norindr, Sandra Ponzanesi, Richard Rice, Mireille Rosello, Marguerite Waller
This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology.
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Autorenporträt
Sandra Ponzanesi is Associate Professor of Gender and Postcolonial Critique, department of Media and Culture Studies/Gender Programme at Utrecht University, the Netherlands. Among her publications are Paradoxes of Post-colonial Culture (2004), Migrant Cartographies (2005) and Deconstructing Europe: Postcolonial Perspectives (Routledge, 2011). Marguerite Waller is Professor of Women's Studies and Comparative Literature at the University of California, Riverside. Among her publications are Frontline Feminisms (Routledge, 2001), Federico Fellini (2002), Dialogue and Difference: Feminisms Challenge Globalization (2005), and The Wages of Empire (2007).