The concept of this book involves the application of postcolonial theories and/or concepts used in postcolonial and cognate studies to the field of medieval European art, including Byzantine art, and Byzantine art in Asia Minor.
The concept of this book involves the application of postcolonial theories and/or concepts used in postcolonial and cognate studies to the field of medieval European art, including Byzantine art, and Byzantine art in Asia Minor.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Eva Frojmovic is Lecturer in the School of Fine Art, History of Art and Cultural Studies at University of Leeds. She specialises in medieval Jewish art and manuscript illumination. She is also Director of the Centre for Jewish Studies. She edited the collection Imagining the Self, Imagining the Other: Visual Representation and Jewish Culture in the Middle Ages and Early Modern Period (Leiden: Brill, 2002). Catherine E. Karkov is Chair of Art History at the University of Leeds and has published widely on Insular and Anglo-Saxon art and archaeology. She is the author of Text and Picture in Anglo-Saxon England: Narrative Strategies in the Junius 11 Manuscript (Cambridge: Cambridge University Press, 2001), The Ruler Portraits of Anglo-Saxon England (Woodbridge: Boydell Press, 2004), and The Art of Anglo-Saxon England (Boydell Press, 2011).
Inhaltsangabe
Contents Introduction Eva Frojmovic and Catherine E. Karkov Part 1 The language of the postcolonial Chapter 1. Decolonising gold bracteates: From Late Roman medallions to Scandinavian Migration Period pendants Nancy L. Wicker Chapter 2. The Franks Casket speaks back: The bones of the past, the becoming of England Catherine E. Karkov Chapter 3. Camouflaging and echoing the Latin mass in an illuminated French-language missal Margaret E. Hadley Part 2 The location of the postcolonial Chapter 4. Mandeville's Jews, colonialism, certainty, and art history Asa Simon Mittman Chapter 5. Conquest and coexistence in sixteenth-century Granada: Imposing orders in the Alhambra's Mexuar Lara Eggleton Chapter 6. Beyond Foucault's laugh: On the ethical practice of medieval art history Roland Betancourt Part 3 The ambivalence of the postcolonial Chapter 7. Postcolonising Thomas Becket: The saint as resistant site Alyce A. Jordan Chapter 8. Defining a merchant identity and aesthetic in Pisa: Muslim ceramics as commodities, mementos, and architectural decoration on eleventh-century churches Karen Rose Mathews Chapter 9. The Muslim warrior at the Seder meal: Dynamics between minorities in the Rylands Haggadah Jane Barlow Chapter 10. Neighbouring and mixta in thirteenth-century Ashkenaz Eva Frojmovic Bibliography Index
Contents Introduction Eva Frojmovic and Catherine E. Karkov Part 1 The language of the postcolonial Chapter 1. Decolonising gold bracteates: From Late Roman medallions to Scandinavian Migration Period pendants Nancy L. Wicker Chapter 2. The Franks Casket speaks back: The bones of the past, the becoming of England Catherine E. Karkov Chapter 3. Camouflaging and echoing the Latin mass in an illuminated French-language missal Margaret E. Hadley Part 2 The location of the postcolonial Chapter 4. Mandeville's Jews, colonialism, certainty, and art history Asa Simon Mittman Chapter 5. Conquest and coexistence in sixteenth-century Granada: Imposing orders in the Alhambra's Mexuar Lara Eggleton Chapter 6. Beyond Foucault's laugh: On the ethical practice of medieval art history Roland Betancourt Part 3 The ambivalence of the postcolonial Chapter 7. Postcolonising Thomas Becket: The saint as resistant site Alyce A. Jordan Chapter 8. Defining a merchant identity and aesthetic in Pisa: Muslim ceramics as commodities, mementos, and architectural decoration on eleventh-century churches Karen Rose Mathews Chapter 9. The Muslim warrior at the Seder meal: Dynamics between minorities in the Rylands Haggadah Jane Barlow Chapter 10. Neighbouring and mixta in thirteenth-century Ashkenaz Eva Frojmovic Bibliography Index
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