Newly adapted for the Anglophone reader, and including a wealth if practical examples, this is an excellent translation of Hans-Thies Lehmannâ s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre.
'This is a provocative, illuminating and stimulating book that will undoubtedly become as essential a text in English theatre scholarship as it already has in continental Europe.' - Marvin Carlson, Theatre Research International
'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations
'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR
'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations
'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR
'This is a provocative, illuminating and stimulating book that will undoubtedly become as essential a text in English theatre scholarship as it already has in continental Europe.' - Marvin Carlson, Theatre Research International
'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations
'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR
'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations
'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR