Postfeminist Film and Literary Aesthetics represents a novel study of the textual innovations of women in the 21st century from a postfeminist perspective, shaping the contours of 4 new modes millennial film/fiction, metamodernism, 'still life' and new cli-fi in which women's work can be read as a distinct aesthetic force
Postfeminist Film and Literary Aesthetics represents a novel study of the textual innovations of women in the 21st century from a postfeminist perspective, shaping the contours of 4 new modes millennial film/fiction, metamodernism, 'still life' and new cli-fi in which women's work can be read as a distinct aesthetic forceHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alyce Corbett is a recent graduate of the Autonomous University of Barcelona, where she earned a Cum Laude Doctorate in English Studies. Her early career research has focused on film and literary aesthetics, postfeminist representations, and contemporary women's writing.
Inhaltsangabe
Acknowledgements 1. Introduction: The Female Gaze 1.1 Searching for the Female Gaze: A New Inquiry Into the Feminine 1.2 Postfeminist Film and Literary Aesthetics: Shaping a 21st Century Textual Constellation 2. Millennial Speak: The Postfeminist Project of the Self 2.1 Greta Gerwig, Lady Bird (2017): Living Through Something 2.2 Sally Rooney, Normal People (2018): Glittering with Talk 3. Post-Postmodernism: The Postfeminist Fictive Reconfiguration of the Real 3.1 Miranda July, Kajillionaire (2020): Transcendentalising the Humdrum 3.2 Ali Smith, How to Be Both (2014): Eroding Narrative Boundaries 4. Still Life: The Postfeminist Abnegation of Plot 4.1 Sofia Coppola, Lost in Translation (2003): Designing not Directing 4.2 Rachel Cusk, Outline (2014): Renovating the Novel 5. New Cli-Fi: The Postfeminist Approach To The End Of The World 5.1 Claire Denis, High Life (2018): Contriving Sensation and Strangeness 5.2 Sophie Mackintosh, The Water Cure (2018): Inscribing Femininity in Darkness 6. Conclusions: The Future Of Female Aesthetics Index
Acknowledgements 1. Introduction: The Female Gaze 1.1 Searching for the Female Gaze: A New Inquiry Into the Feminine 1.2 Postfeminist Film and Literary Aesthetics: Shaping a 21st Century Textual Constellation 2. Millennial Speak: The Postfeminist Project of the Self 2.1 Greta Gerwig, Lady Bird (2017): Living Through Something 2.2 Sally Rooney, Normal People (2018): Glittering with Talk 3. Post-Postmodernism: The Postfeminist Fictive Reconfiguration of the Real 3.1 Miranda July, Kajillionaire (2020): Transcendentalising the Humdrum 3.2 Ali Smith, How to Be Both (2014): Eroding Narrative Boundaries 4. Still Life: The Postfeminist Abnegation of Plot 4.1 Sofia Coppola, Lost in Translation (2003): Designing not Directing 4.2 Rachel Cusk, Outline (2014): Renovating the Novel 5. New Cli-Fi: The Postfeminist Approach To The End Of The World 5.1 Claire Denis, High Life (2018): Contriving Sensation and Strangeness 5.2 Sophie Mackintosh, The Water Cure (2018): Inscribing Femininity in Darkness 6. Conclusions: The Future Of Female Aesthetics Index
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