One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions. Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves. Using new and old technology, and textual and visual modes including appropriation, transcription, translation, redaction, and repetition, the contributors actively…mehr
One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions. Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves. Using new and old technology, and textual and visual modes including appropriation, transcription, translation, redaction, and repetition, the contributors actively challenge the existing scholarship on conceptual art. Rather than segregating the work of visual artists from that of writers we are shown the ways in which conceptual art is, and remains, a mutually supportive interaction between the arts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrea Andersson is The Helis Foundation Chief Curator of the Visual Arts at the Contemporary Arts Center in New Orleans.
Inhaltsangabe
Acknowledgements Preface Nora Burnett Abrams 1. "I, too, wondered...": An Introduction to Writing After Conceptual Art" Andrea Andersson 2. "The Conceptualist Turn: Wittgenstein and the New Writing" Marjorie Perloff 3. "Fate of Echo" Craig Dworkin 4. "Was Ist Los" Seth Price 5. "Echo" Vanessa Place 6. "Sharon Hayes and Most People" Rachel Haidu 7. "What Do We Mean By Performance Writing?" Caroline Bergvall 8. "Rescuing the Past: Repetition and Reenactment in Jeremy Deller, Andrea Geyer, and Sharon Hayes" Patrick Greaney 9. From "Notes on Conceptualism" Robert Fitterman and Vanessa Place 10. "The Melancholy of Conceptualism" Michael Golston 11. "Untimely Models" Lytle Shaw 12. "Indifferent Voices" Paul Elliman 13. "A Week of Blogs for the Poetry Foundation" Kenneth Goldsmith 14. "Give Them What They Want: Populist Rhetoric in Conceptual Art and Writing" Brian Reed 15. To Teach and Delight - A Few Precedents for an Art of Instruction" Cathleen Chaffee 16. "Semantic Analysis: The Art of Parsing Found Text" Sarah Cook 17. "Conceptual Computing and Digital Writing" Nick Monfort 18. "Poetry Without Poets" Darren Wershler 19. Documents from "True Mirror" David Reinfurt and Stuart Bailey 20. "From Distribution to Dispersion: Conceptual Writing in the Age of the Internet Gwen Allen 21. "Little Bastard" Ryan Gander with Alice Fisher and Stuart Bailey 22. "What Was Conceptual Writing?" Nick Thurston 23. "The Bioinformatic Sublime: The Life of Data and the Data of Life in Conceptual Writing" Paul Stephens 24. "Two Dots Over a Vowel" Christian Bök 25. "Like In Valencia: On Translating Equivalence" Mónica de la Torre 26. "Russian Lessons for Conceptual Writing" Jacob Edmond 27. "Reading as Art" Simon Morris with Thomas Campbell 28. "Ambivalence of the Grid" Liz Kotz 29. "The Concrete, The Conceptual, and the Galáxias" Antonio Sergio Bessa 30. "N.B." Seth Kim-Cohen 31. "PLAGIARISM: A response to Thomas Fink" Tan Lin Notes Bibliography Index
Acknowledgements Preface Nora Burnett Abrams 1. "I, too, wondered...": An Introduction to Writing After Conceptual Art" Andrea Andersson 2. "The Conceptualist Turn: Wittgenstein and the New Writing" Marjorie Perloff 3. "Fate of Echo" Craig Dworkin 4. "Was Ist Los" Seth Price 5. "Echo" Vanessa Place 6. "Sharon Hayes and Most People" Rachel Haidu 7. "What Do We Mean By Performance Writing?" Caroline Bergvall 8. "Rescuing the Past: Repetition and Reenactment in Jeremy Deller, Andrea Geyer, and Sharon Hayes" Patrick Greaney 9. From "Notes on Conceptualism" Robert Fitterman and Vanessa Place 10. "The Melancholy of Conceptualism" Michael Golston 11. "Untimely Models" Lytle Shaw 12. "Indifferent Voices" Paul Elliman 13. "A Week of Blogs for the Poetry Foundation" Kenneth Goldsmith 14. "Give Them What They Want: Populist Rhetoric in Conceptual Art and Writing" Brian Reed 15. To Teach and Delight - A Few Precedents for an Art of Instruction" Cathleen Chaffee 16. "Semantic Analysis: The Art of Parsing Found Text" Sarah Cook 17. "Conceptual Computing and Digital Writing" Nick Monfort 18. "Poetry Without Poets" Darren Wershler 19. Documents from "True Mirror" David Reinfurt and Stuart Bailey 20. "From Distribution to Dispersion: Conceptual Writing in the Age of the Internet Gwen Allen 21. "Little Bastard" Ryan Gander with Alice Fisher and Stuart Bailey 22. "What Was Conceptual Writing?" Nick Thurston 23. "The Bioinformatic Sublime: The Life of Data and the Data of Life in Conceptual Writing" Paul Stephens 24. "Two Dots Over a Vowel" Christian Bök 25. "Like In Valencia: On Translating Equivalence" Mónica de la Torre 26. "Russian Lessons for Conceptual Writing" Jacob Edmond 27. "Reading as Art" Simon Morris with Thomas Campbell 28. "Ambivalence of the Grid" Liz Kotz 29. "The Concrete, The Conceptual, and the Galáxias" Antonio Sergio Bessa 30. "N.B." Seth Kim-Cohen 31. "PLAGIARISM: A response to Thomas Fink" Tan Lin Notes Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826