This examines how Poussin cultivated a poetics of painting from the literary culture of his own time, and especially through his response to the work of Torquato Tasso. Tasso's poetic discourses were the most important source for Poussin's theory of painting. Poussin does not merely illustrate Tasso's verse, but cultivates pictorial means to refashion the poet's metaphors of desire. Offering new interpretations of these works, this book also investigates Poussin's larger literary culture and how this context illuminates the artist's response to contemporary poetic texts, especially in his mythological paintings.…mehr
This examines how Poussin cultivated a poetics of painting from the literary culture of his own time, and especially through his response to the work of Torquato Tasso. Tasso's poetic discourses were the most important source for Poussin's theory of painting. Poussin does not merely illustrate Tasso's verse, but cultivates pictorial means to refashion the poet's metaphors of desire. Offering new interpretations of these works, this book also investigates Poussin's larger literary culture and how this context illuminates the artist's response to contemporary poetic texts, especially in his mythological paintings.
Jonathan Unglaub is Assistant Professor of Fine Arts at Brandeis University, Massachusetts. A scholar of Renaissance and Baroque art, he has contributed to The Art Bulletin and The Burlington Magazine, and has received fellowships from the Fulbright Commission, the Andrew W. Mellon Foundation (at the Metropolitan Museum of Art), the Getty Humanities Center, and the Clark Institute.
Inhaltsangabe
1. 'Ut pictura poetica' - Poussin and the poetics of Tasso 2. Poussin's Novità 3. Metaphorical reflections in Echo and Narcissus and Rinaldo and Armida 4. The critique of Gerusalemme liberata and the visual arts 5. Poussin, Marino and painting in the Ovidian Age 6. Poussin, Raphael, and Tasso: the poetics of history painting 7. Poussin and the Gerusalemme liberata: action into episode, history into myth.
1. 'Ut pictura poetica' - Poussin and the poetics of Tasso 2. Poussin's Novità 3. Metaphorical reflections in Echo and Narcissus and Rinaldo and Armida 4. The critique of Gerusalemme liberata and the visual arts 5. Poussin, Marino and painting in the Ovidian Age 6. Poussin, Raphael, and Tasso: the poetics of history painting 7. Poussin and the Gerusalemme liberata: action into episode, history into myth.
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