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Explores how Roman imperial power was constructed and contested through the representation of sexual relations.
The relationships between Roman emperors and their objects of desire, male and female, are well attested. The salacious nature of this evidence means that it is often omitted from mainstream historical inquiry. Yet that is to underestimate the importance of 'gossip' and the act of thinking about an emperor's private life. In this book Dr Vout takes the reader from Rome, and Martial's and Statius' poems about Domitian's favourite eunuch, to Antioch and dialogues in praise of Lucius…mehr

Produktbeschreibung
Explores how Roman imperial power was constructed and contested through the representation of sexual relations.

The relationships between Roman emperors and their objects of desire, male and female, are well attested. The salacious nature of this evidence means that it is often omitted from mainstream historical inquiry. Yet that is to underestimate the importance of 'gossip' and the act of thinking about an emperor's private life. In this book Dr Vout takes the reader from Rome, and Martial's and Statius' poems about Domitian's favourite eunuch, to Antioch and dialogues in praise of Lucius Verus' mistress, to the widespread visual commemoration and cult of Hadrian's young male lover, Antinous. She explores not the relationships themselves but rather the implications of their description. Such description provides a template with which to examine the relationship between emperor and subject, gods and mortals, East and West, centre and periphery. It thus contributes to the fields of imperial representation, court society and the imperial cult.

Table of contents:
1. The erotics of imperium; 2. Romancing the stone: the story of Hadrian and Antinous; 3. Compromising traditions: the case of Nero and Sporus; 4. A match made in heaven: Earinus and the emperor; 5. Mistress as metaphor: a dialogue with Panthea; 6. And so to bed...
Autorenporträt
Caroline Vout is Lecturer in Classics at the University of Cambridge and a Fellow of Christ's College, having previously taught at the University of Nottingham. She studied at Newnham College, Cambridge and the Courtauld Institute of Art in London and has been a Rome Scholar at the British School at Rome. She has published widely on aspects of Roman imperial culture and curated the exhibition Antinous: the Face of the Antique at the Henry Moore Institute in summer 2006.