Andere Kunden interessierten sich auch für
![The Spectacle of Death]( "The Spectacle of Death")
The Spectacle of Death20,99 €![Shock and Awe: American Exceptionalism and the Imperatives of the Spectacle in Mark Twain's a Connecticut Yankee in King Arthur's Cou]( "Shock and Awe: American Exceptionalism and the Imperatives of the Spectacle in Mark Twain's a Connecticut Yankee in King Arthur's Cou")
Shock and Awe: American Exceptionalism and the Imperatives of the Spectacle in Mark Twain's a Connecticut Yankee in King Arthur's Cou43,99 €![British Fiction and the Production of Social Order, 1740 1830]( "British Fiction and the Production of Social Order, 1740 1830")
British Fiction and the Production of Social Order, 1740 183061,99 €![Progress & Identity in the Plays of W.B. Yeats, 1892-1907]( "Progress & Identity in the Plays of W.B. Yeats, 1892-1907")
Progress & Identity in the Plays of W.B. Yeats, 1892-190771,99 €![Dark Humour and Social Satire in the Modern British Novel]( "Dark Humour and Social Satire in the Modern British Novel")
Dark Humour and Social Satire in the Modern British Novel59,99 €![The Great William]( "The Great William")
The Great William35,99 €![The Medieval Professional Reader at Work: Evidence from Manuscripts of Chaucer Langland, Kempe, and Gower]( "The Medieval Professional Reader at Work: Evidence from Manuscripts of Chaucer Langland, Kempe, and Gower")
The Medieval Professional Reader at Work: Evidence from Manuscripts of Chaucer Langland, Kempe, and Gower24,99 €
"Matthew Sergi brings his experience as an actor and director, as well as a medievalist, to this revolutionary study of the Chester Mystery Plays specifically, and to medieval English drama more broadly. Using his extensive knowledge of applied theater, Sergi bridges the gap between text and performance through his identification of "practical cues" (as he coins the phrase) in the plays themselves that are verbal prompts for extra-verbal action. By placing close readings of the dialogues alongside stage directions and extant production records from the Chester archives, Sergi recovers details largely overlooked (or ignored) by previous scholars. He reconstructs a very different portrait of these Cestrian mise-en-scáene and how they might've played out in the streets. What might at first seem like a solemn scene on paper, Sergi shows, coalesces in performance into a veritable street festival: a series of cued public practices, enacted in real time at street level, offering enjoyment, viewer participation, and meaning to both learned and unlearned spectators alike. Regardless of the plays' verbal or dramatic coherence, and unconcerned with the top-down political, religious, and economic approaches to understanding the plays that have dominated most recent scholarly interpretations, Sergi shows us a distinctly Cestrian way of enacting Bible stories: where dry scriptural, didactic, or devotional moments in the texts can quickly become a collaborative, immediate, accessible amusement, an inclusive, public spectacle that, as Sergi describes, is already built into the very fabric of the "practical cues" in the words of the plays themselves"--
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.