Sarah Riley
Practical Mixed-Media Printmaking
Sarah Riley
Practical Mixed-Media Printmaking
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An easy-to-use practical guide to mixed-media printmaking that includesinstructions on all of the main printmaking techniques, as well asexamples of inspirational works by the author and other contemporaryprintmakers.
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An easy-to-use practical guide to mixed-media printmaking that includesinstructions on all of the main printmaking techniques, as well asexamples of inspirational works by the author and other contemporaryprintmakers.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 144
- Erscheinungstermin: 18. April 2019
- Englisch
- Abmessung: 278mm x 214mm x 11mm
- Gewicht: 606g
- ISBN-13: 9781789940084
- ISBN-10: 1789940087
- Artikelnr.: 58310453
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 144
- Erscheinungstermin: 18. April 2019
- Englisch
- Abmessung: 278mm x 214mm x 11mm
- Gewicht: 606g
- ISBN-13: 9781789940084
- ISBN-10: 1789940087
- Artikelnr.: 58310453
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Sarah Riley is Professor of Art and Head of Printmaking at the Holland School of the Visual and Performing Arts, Southeast Missouri State University, and is a regular guest lecturer at other institutions. Her own work has been widely exhibited and has received numerous honours, grants and awards.
Acknowledgements Introduction 1. Collagraphs and beyond Print planning
Photocopy transfers Drawing before printing Making a collagraph plate
Preparing a cardboard base plate Preparing a Perspex base plate Techniques
for building a collagraph plate Sealing and finishing a plate Printing a
collagraph plate Making a print registration package Inking, wiping and
printing the plate Viscosity inking and variations Further notes on
printing Cleaning the ink slab and tools 2. Monoprinting suggestions
Substrates Using offset prints as guides Printing a monoprint Watercolour
monoprints Trace Monotypes 3. Chine collé, stencils and rainbow rolls Chine
collé Stencils Rainbow roll with stencils and chine collé 4. Drypoint
Preparing a Perspex (Plexiglas) plate for drypoint Preparing copper plates
for drypoint Sharpening tools Inking, wiping and printing drypoint plates
5. Relief printing The relief print Making a relief print Inking Printing
the relief block Drying prints 6. Polyester plate lithography Imaging with
a printer or photocopier Halftone Imaging a polyester plate autographically
Using toner tusche Inking and preparation of a polyester litho plate Using
an etching press to print the polyester litho plate The printing process
Cleaning the plate Registration 7. Other directions Glossary Bibliography
Index
Photocopy transfers Drawing before printing Making a collagraph plate
Preparing a cardboard base plate Preparing a Perspex base plate Techniques
for building a collagraph plate Sealing and finishing a plate Printing a
collagraph plate Making a print registration package Inking, wiping and
printing the plate Viscosity inking and variations Further notes on
printing Cleaning the ink slab and tools 2. Monoprinting suggestions
Substrates Using offset prints as guides Printing a monoprint Watercolour
monoprints Trace Monotypes 3. Chine collé, stencils and rainbow rolls Chine
collé Stencils Rainbow roll with stencils and chine collé 4. Drypoint
Preparing a Perspex (Plexiglas) plate for drypoint Preparing copper plates
for drypoint Sharpening tools Inking, wiping and printing drypoint plates
5. Relief printing The relief print Making a relief print Inking Printing
the relief block Drying prints 6. Polyester plate lithography Imaging with
a printer or photocopier Halftone Imaging a polyester plate autographically
Using toner tusche Inking and preparation of a polyester litho plate Using
an etching press to print the polyester litho plate The printing process
Cleaning the plate Registration 7. Other directions Glossary Bibliography
Index
Acknowledgements Introduction 1. Collagraphs and beyond Print planning
Photocopy transfers Drawing before printing Making a collagraph plate
Preparing a cardboard base plate Preparing a Perspex base plate Techniques
for building a collagraph plate Sealing and finishing a plate Printing a
collagraph plate Making a print registration package Inking, wiping and
printing the plate Viscosity inking and variations Further notes on
printing Cleaning the ink slab and tools 2. Monoprinting suggestions
Substrates Using offset prints as guides Printing a monoprint Watercolour
monoprints Trace Monotypes 3. Chine collé, stencils and rainbow rolls Chine
collé Stencils Rainbow roll with stencils and chine collé 4. Drypoint
Preparing a Perspex (Plexiglas) plate for drypoint Preparing copper plates
for drypoint Sharpening tools Inking, wiping and printing drypoint plates
5. Relief printing The relief print Making a relief print Inking Printing
the relief block Drying prints 6. Polyester plate lithography Imaging with
a printer or photocopier Halftone Imaging a polyester plate autographically
Using toner tusche Inking and preparation of a polyester litho plate Using
an etching press to print the polyester litho plate The printing process
Cleaning the plate Registration 7. Other directions Glossary Bibliography
Index
Photocopy transfers Drawing before printing Making a collagraph plate
Preparing a cardboard base plate Preparing a Perspex base plate Techniques
for building a collagraph plate Sealing and finishing a plate Printing a
collagraph plate Making a print registration package Inking, wiping and
printing the plate Viscosity inking and variations Further notes on
printing Cleaning the ink slab and tools 2. Monoprinting suggestions
Substrates Using offset prints as guides Printing a monoprint Watercolour
monoprints Trace Monotypes 3. Chine collé, stencils and rainbow rolls Chine
collé Stencils Rainbow roll with stencils and chine collé 4. Drypoint
Preparing a Perspex (Plexiglas) plate for drypoint Preparing copper plates
for drypoint Sharpening tools Inking, wiping and printing drypoint plates
5. Relief printing The relief print Making a relief print Inking Printing
the relief block Drying prints 6. Polyester plate lithography Imaging with
a printer or photocopier Halftone Imaging a polyester plate autographically
Using toner tusche Inking and preparation of a polyester litho plate Using
an etching press to print the polyester litho plate The printing process
Cleaning the plate Registration 7. Other directions Glossary Bibliography
Index