Provides all the necessary information for newcomers to the profession to get a movie made. Topics include finding a project, breaking down a script, creating a production board, casting, budgeting, scouting locations, scheduling, dealing with actors, establishing set protocol, marketing, and many others. Throughout, real-life examples vividly illustrate the subject at hand.
Provides all the necessary information for newcomers to the profession to get a movie made. Topics include finding a project, breaking down a script, creating a production board, casting, budgeting, scouting locations, scheduling, dealing with actors, establishing set protocol, marketing, and many others. Throughout, real-life examples vividly illustrate the subject at hand.
Joe Wallenstein oversees and administers all aspects of filming by the more than 700 students making approximately 1500 films each year at the University of Southern California School of Cinematic Arts. He worked on numerous television pilots for Paramount, Universal, NBC, CBS, and ABC, produced the CBS mini-series Dallas: the Early Years and the first four years of the hit television series Knots Landing, and worked as a second assistant director on The Godfather.
Inhaltsangabe
Table of Contents Foreword: Practical Magic (by David Jacobs) Introduction Producers Anticipation and Communication The People with Whom You Work Identifying a Potential Project Critical Assumptions Breaking Down the Script Creating the Production Board Scheduling Locations Budgeting Casting Dealing with Actors Acquiring a Crew Set Protocol Elements of Production Good Money vs. Bad Money Practical Locations vs. Stage Work Production Insurance The Myth of Cinematic Immunity Post-Production Marketing Epilogue Appendix A: The English Lady Appendix B: Additional Strip Creation for the Board Appendix C: Quotes from Chairman Joe Index
Table of Contents Foreword: Practical Magic (by David Jacobs) Introduction Producers Anticipation and Communication The People with Whom You Work Identifying a Potential Project Critical Assumptions Breaking Down the Script Creating the Production Board Scheduling Locations Budgeting Casting Dealing with Actors Acquiring a Crew Set Protocol Elements of Production Good Money vs. Bad Money Practical Locations vs. Stage Work Production Insurance The Myth of Cinematic Immunity Post-Production Marketing Epilogue Appendix A: The English Lady Appendix B: Additional Strip Creation for the Board Appendix C: Quotes from Chairman Joe Index
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