In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone.
In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Virginia Crisp is Lecturer in Cultural and Creative Industries at King's College, London. She is the author of Pirates and Professionals: Film Distribution in the Digital Age (2015, Palgrave) and co-editor (with Gabriel Menotti Gonring) of Besides the Screen: Moving Images through Distribution, Promotion and Curation (2015, Palgrave). Gabriel Menotti is Lecturer in Film Editing and Multimedia at the Federal University of Espírito Santo, Brazil. He operates as an independent curator engaged with different forms of cinema and unstable media, having presented his work in venues such as the São Paulo Biennial, Centre Pompidou, Videobrasil, and Transmediale. Menotti writes and edits publications on image and technology. His latest book is Movie Circuits: Curatorial Approaches to Cinema Technology. Together with Virginia Crisp, he coordinates the Besides the Screen network.
Inhaltsangabe
* 1. Situating Projection * Gabriel Menotti Gonring and Virginia Crisp * Part 1. PROJECTION HISTORIES and GEOGRAPHIES * 2. A New 'Wild West' of Projection? * Michael Pigott and Richard Wallace * 3. The craft of the rural cinema operator: improvised exhibition and the Highlands and Islands Film Guild, Scotland (1946-71) * Ian Goode * 4. Solar Powered Cinema and Sustainable Projections * Stefania Haritou * 5. Film Projection and the Sacred Geography of Site-Specific Cinema in Contemporary Thailand * Richard MacDonald * Part 2. PROJECTION ELEMENTS and TECHNOLOGIES * 6. Six (or seven) ways of looking at a magic lantern slide * Richard Crangle * 7. Between Copyright and Creativity: Edison's Kinetoscope and Technological Innovations in Optical Printing * Amanda Egbe * 8. '...It's all just a little bit of History repeating': Slide-tape's key works in the UK since the 1970s * Mo White AKA Dr. Mary C White * 9. Summoning the Ghosts of Early Cinema and Victorian Entertainment: Kate Moss and "Savage Beauty" at the VandA Museum * Su-Anne Yeo * 10. Researching virtual, augmented and mixed realities, or how the Elastic 3D Spaces project emerged from an outdoor projection event * Anthony Head and Leila Sujir * 11. They'll take whatever you feed them - reflections on projection in live audiovisual performance * Cornelia Lund * Part 3. PROJECTION AS KNOWLEDGE and INTERPRETATION * 12. CASTING - investigation of projection mapping's spatiality in a continuum of projected moving-image art * Yiyun Kang * 13. Projection between exhibition and information: experimental and artists' film at Sonsbeek 71 * Adeena Mey * 14. Bark and Butterflies: Projection, Post-Memory and Phantasmagoria * Adrian Palka * 15. Imagistic Projection as Relational Becoming * Andréia Machado Oliveira and Felix Rebolledo Palazuelos
* 1. Situating Projection * Gabriel Menotti Gonring and Virginia Crisp * Part 1. PROJECTION HISTORIES and GEOGRAPHIES * 2. A New 'Wild West' of Projection? * Michael Pigott and Richard Wallace * 3. The craft of the rural cinema operator: improvised exhibition and the Highlands and Islands Film Guild, Scotland (1946-71) * Ian Goode * 4. Solar Powered Cinema and Sustainable Projections * Stefania Haritou * 5. Film Projection and the Sacred Geography of Site-Specific Cinema in Contemporary Thailand * Richard MacDonald * Part 2. PROJECTION ELEMENTS and TECHNOLOGIES * 6. Six (or seven) ways of looking at a magic lantern slide * Richard Crangle * 7. Between Copyright and Creativity: Edison's Kinetoscope and Technological Innovations in Optical Printing * Amanda Egbe * 8. '...It's all just a little bit of History repeating': Slide-tape's key works in the UK since the 1970s * Mo White AKA Dr. Mary C White * 9. Summoning the Ghosts of Early Cinema and Victorian Entertainment: Kate Moss and "Savage Beauty" at the VandA Museum * Su-Anne Yeo * 10. Researching virtual, augmented and mixed realities, or how the Elastic 3D Spaces project emerged from an outdoor projection event * Anthony Head and Leila Sujir * 11. They'll take whatever you feed them - reflections on projection in live audiovisual performance * Cornelia Lund * Part 3. PROJECTION AS KNOWLEDGE and INTERPRETATION * 12. CASTING - investigation of projection mapping's spatiality in a continuum of projected moving-image art * Yiyun Kang * 13. Projection between exhibition and information: experimental and artists' film at Sonsbeek 71 * Adeena Mey * 14. Bark and Butterflies: Projection, Post-Memory and Phantasmagoria * Adrian Palka * 15. Imagistic Projection as Relational Becoming * Andréia Machado Oliveira and Felix Rebolledo Palazuelos
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