'The artists and philosophers assembled here deliver profound meditations on the largely unexamined topic of Deleuze and practice, touching on the philosophy of practice, the practice of philosophy, and various Deleuzian practices in painting, sculpture, curating, dance, interior design and architecture. Fresh, engaging and provocative from start to finish.' Ronald Lynn Bogue, University of Georgia Five contemporary creative practitioners and a philosopher engage with the writings of Gilles Deleuze through the lens of creative practice This book offers the first systematic reading of Gilles…mehr
'The artists and philosophers assembled here deliver profound meditations on the largely unexamined topic of Deleuze and practice, touching on the philosophy of practice, the practice of philosophy, and various Deleuzian practices in painting, sculpture, curating, dance, interior design and architecture. Fresh, engaging and provocative from start to finish.' Ronald Lynn Bogue, University of Georgia Five contemporary creative practitioners and a philosopher engage with the writings of Gilles Deleuze through the lens of creative practice This book offers the first systematic reading of Gilles Deleuze's mature philosophy from the perspective of contemporary creative practitioners. It presents a dialogue between a range of practitioners including fine artists, a dancer, a creative writer, a designer and a philosopher, and reflects the engagement of contemporary creative practices with the generative philosophy of Deleuze. It is focused around key aspects of production - forming, framing, experiencing, encountering and practising - allowing you to engage with all these aspects through multiple dialogues. Key Features . The book is orientated by the interests of creative practitioners while maintaining a rigorous relationship to Deleuze's texts including Difference and Repetition and A Thousand Plateaus . For philosophers it demonstrates a creative approach to engaging with arts practitioners conceptually . Includes an Introduction by Gregory Flaxman Suzie Attiwill is Associate Professor of Interior Design at RMIT University, Melbourne. Terri Bird is an artist and Senior Lecturer in Fine Art at Monash University. Andrea Eckersley is an artist and a Lecturer in Fashion Design at RMIT University, Melbourne. Antonia Pont is Senior Lecturer in Writing and Literature at Deakin University, Australia. Jon Roffe is Vice-Chancellor's Postdoctoral Fellow at the University of New South Wales. Philipa Rothfield is Adjunct Professor in Philosophy of the Body and Dance at the University of Southern Denmark. Cover image: Andrea Eckersley, Partial coherence, 2017. Acrylic, gesso, enamel and shapes of light on wall. Photo by Christo Crocker. Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-2934-4 [PPC] ISBN: 978-1-4744-2935-1 [cover] BarcodeHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Suzie Attiwill is Associate Professor of Interior Design and deputy dean of Learning & Teaching, RMIT University School of Architecture and Design. She also has an independent practice that involves the design of exhibitions, curatorial work, writing and collaborating on a range of interdisciplinary projects in Australia and overseas. She is a founding member of the Urban Interior Laboratory and the current executive editor of the IDEA Journal (2014-2016). She has contributed to a number of journals mainly on interior design and architecture. Terri Bird is an artist and a Senior Lecturer in the Fine Art Department at MADA, Monash University. She has published essays on the artworks of Ardi Gunawan, Bianca Hester and Fiona Abicare. Andrea Eckersley is a Lecturer in Fashion Design at RMIT University, Melbourne. She recently completed a PhD in Fine Arts (Painting) at Monash University. Andrea is the art editor at the Deleuze Studies journal and exhibits regularly in Australia. Antonia Pont is Senior Lecturer in Literary Studies and Professional & Creative Writing at Deakin University. She publishes poetry, short stories and theoretical prose. Jon Roffe teaches philosophy at the Melbourne School of Continental Philosophy. He is the author of Gilles Deleuze's Empiricism and Subjectivity (Edinburgh University Press, 2017), Abstract Market Theory (Palgrave, 2015) and Badiou's Deleuze (Acumen 2012). He is the co-author of Deleuze's Philosophical Lineage II (Edinburgh University Press, 2019) and Deleuze's Philosophical Lineage (Edinburgh University Press, 2009), Practising with Deleuze (Edinburgh University Press, 2017) and Lacan Deleuze Badiou (Edinburgh University Press, 2013), and co-editor of a number of volumes on 20th-century French thought. Philipa Rothfield is an honorary Senior Lecturer in Philosophy at La Trobe University, Melbourne, Australia. She writes on philosophy of the body largely in relation to dance. She is interested in the work of Merleau-Ponty, Nietzsche, Klossowski and Deleuze, to see what each of these philosophers can bring to dance and also to see what dance brings to philosophy.
Inhaltsangabe
Acknowledgements Notes on Co-Authors 1. Introduction, Gregory Flaxman 2. Philosophising Practice, Antonia Pont 3. Forming, Terri Bird 4. Framing - ?interior, Suzie Attiwill 5. Experience and its Others, Philipa Rothfield 6. Encountering surfaces, encountering spaces, encountering painting, Andrea Eckersley 7. Practising Philosophy, Jon Roffe 8. Bibliography
