Presence Through Sound narrates and analyses, through a range of case studies on selected music of China, Japan, Korea, Taiwan and Tibet, some of the many ways in which music and 'place' intersect and are interwoven with meaning in East Asia.
Presence Through Sound narrates and analyses, through a range of case studies on selected music of China, Japan, Korea, Taiwan and Tibet, some of the many ways in which music and 'place' intersect and are interwoven with meaning in East Asia.
Keith Howard is Professor Emeritus and Leverhulme Emeritus Fellow at SOAS, University of London. He has written or edited 22 books, 170 academic articles, and 195 book/music reviews, and founded and managed the SOASIS CD and DVD series as well as OpenAir Radio. Catherine Ingram is Lecturer at the Sydney Conservatorium of Music, University of Sydney. Her forthcoming monograph is on Kam big song, and she recently commenced an ARC Discovery Project on musical resilience.
Inhaltsangabe
Catherine Ingram and Keith Howard Introduction: Reflections on the significance of place for East Asian musical traditions China 1 Catherine Ingram The Shifting Strength of Place in Contemporary Big Song Singing from Southwestern China 2 Anne E. McLaren From the Heart of the Lake Booms a Mountain Song: Sense of Place in the Song-Cycles of Coastal China 3 Min Yen ONG Bringing the Past to Life: Creating and Contesting Place in Kunqu Singing Practices 4 Lu LIU Beijing in the Contemporary Pipa World Tibet 5 Gerald Roche The Alphabetical Order of Things: The Language of Place and the Place of Language in Tibetan Song Taiwan 6 Yang Ming TEOH Lingering Across the Ocean, Rooted on the Island: Indigenous Music and the Notions of Mountain and Sea as Taiwanese Identifiers Korea 7 Keith Howard The Constructed Soundscapes of Place in Korea, South and North 8 Hee-sun KIM Place as Brand: The Role of Place in the Construction of Contemporary Traditional Music in South Korea 9 Hilary Finchum-Sung The Sonic Habitus of Silk and Wood: Kugak's Twenty-First-Century Terrain 10 Roald Maliangkay Not a Habitus for the Have-Nots: The Walker Hill Shows, 1962-2012 Japan 11 Naoko TERAUCHI Gagaku and the Kasuga Wakamiya Onmatsuri Festival of Nara: From the Sound of Authority to the Sound of Local Identity 12 Hugh de Ferranti Biwa's Place in Modern Times 13 Kiku Day Place and Locality in Fuke-Style Shakuhachi: The Case of Nezasa-ha Kinp¿ry¿
Catherine Ingram and Keith Howard Introduction: Reflections on the significance of place for East Asian musical traditions China 1 Catherine Ingram The Shifting Strength of Place in Contemporary Big Song Singing from Southwestern China 2 Anne E. McLaren From the Heart of the Lake Booms a Mountain Song: Sense of Place in the Song-Cycles of Coastal China 3 Min Yen ONG Bringing the Past to Life: Creating and Contesting Place in Kunqu Singing Practices 4 Lu LIU Beijing in the Contemporary Pipa World Tibet 5 Gerald Roche The Alphabetical Order of Things: The Language of Place and the Place of Language in Tibetan Song Taiwan 6 Yang Ming TEOH Lingering Across the Ocean, Rooted on the Island: Indigenous Music and the Notions of Mountain and Sea as Taiwanese Identifiers Korea 7 Keith Howard The Constructed Soundscapes of Place in Korea, South and North 8 Hee-sun KIM Place as Brand: The Role of Place in the Construction of Contemporary Traditional Music in South Korea 9 Hilary Finchum-Sung The Sonic Habitus of Silk and Wood: Kugak's Twenty-First-Century Terrain 10 Roald Maliangkay Not a Habitus for the Have-Nots: The Walker Hill Shows, 1962-2012 Japan 11 Naoko TERAUCHI Gagaku and the Kasuga Wakamiya Onmatsuri Festival of Nara: From the Sound of Authority to the Sound of Local Identity 12 Hugh de Ferranti Biwa's Place in Modern Times 13 Kiku Day Place and Locality in Fuke-Style Shakuhachi: The Case of Nezasa-ha Kinp¿ry¿
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