Preserving Popular Music Heritage

Do-it-Yourself, Do-it-Together
Herausgeber: Baker, Sarah

• Gebundenes Buch

Produktbeschreibung

There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music's material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 266
• Erscheinungstermin: 18. Mai 2015
• Englisch
• Abmessung: 235mm x 157mm x 19mm
• Gewicht: 542g
• ISBN-13: 9781138781436
• ISBN-10: 1138781436
• Artikelnr.: 42573012

Autorenporträt

Sarah Baker is an Associate Professor in Cultural Sociology at Griffith University, Queensland, Australia.

Inhaltsangabe

1. Identifying Do-it-Yourself Places of Popular Music Preservation Sarah
Baker Part I: Unpacking DIY Popular Music Heritage Practice 2. The Shaping
of Heritage: Collaborations between Independent Popular Music Heritage
Practitioners and the Museum Sector Marion Leonard 3. Valuing Popular Music
Heritage: Exploring Amateur and Fan-Based Preservation Practices in Museums
and Archives in the Netherlands Amanda Brandellero, Arno van der Hoeven and
Susanne Janssen 4. Affective Archiving and Collective Collecting in
Do-it-Yourself Popular Music Archives and Museums Sarah Baker 5. "Really
Saying Something?" What Do We Talk About When We Talk About Popular Music
Heritage, Memory, Archives and the Digital? Paul Long 6. Doing-it-Together:
Public History-Making and Activist Archiving in Online Popular Music
Community Archives Jez Collins 7. Alternative Histories and
Counter-Memories: Feminist Music Archives in Europe Rosa Reitsamer 8. "When
Folk Meets Pop": DIY Archives in the Making of a Punk Rock DIY Community in
Western France Gérôme Guibert and Emmanuel Parent 9. Creating a
Comprehensive Archive of Maltese Music on CD Toni Sant 10. "They're Not
Pirates, They're Archivists": The Role of Fans as Curators and Archivists
of Popular Music Heritage Jez Collins and Oliver Carter 11. Coming
Together: DIY Heritage and The Beatles Stephanie Fremaux 12. Trading
Offstage Photos: Take That Fan Culture and the Collaborative Preservation
of Popular Music Heritage Mark Duffett and Anja Löbert Part II: Case
Studies 13. Pompey Pop: Documenting Portsmouth's Popular Music Scenes Dave
Allen 14. Ketebul Music: Retracing and Archiving Kenya's Popular Music
William "Tabu" Osusa and Billie Odidi 15. Bokoor African Popular Music
Archives Foundation: Ghana's Highlife Music Institute and the Need for
Popular Music Archiving John Collins 16. Proyecto Caracas Memorabilia:
Reconstructing Pop Music History in Venezuela Coromoto Jaraba 17. The
Australian Jazz Museum: All That Aussie Jazz-A Potted History of the
Victorian Jazz Archive, 1996-2014 Ray Sutton 18. The Australian Country
Music Hall of Fame: A DIY Museum and Archive in Australia's "Country Music
Capital" Barrie Brennan 19. Re:Muse-icology: Defining a National Landscape
for the Study and Preservation of Rock'n'roll's Built Heritage in America
Sheryl Davis 20. Editions of You: A DIY Archive of DIY Practice Lisa Busby