Pretty INSANE - Heroine, Elizabeth
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PRETTY INSANE Overdose POET Gothic GIRL 13 TEENAGER dead AGAIN by Elizabeth HEROINE Notes from the Underground, 2222, Asylum house for Delinquent Teenage girls, highly gifted, prolific with extraordinary psychokinesis powers named Bikini Black. Bikini Black was the British headquarters for the haunted, abandoned nineteenth century Buckinghamshire mansion College, where eccentric, young goth witches flaunted paranormal activity, induced velvet spells and learnt how to tame and weave their poetic craft of wilderness magic. I sifted through the decrepit files of tattered dust in cobwebs.…mehr

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PRETTY INSANE Overdose POET Gothic GIRL 13 TEENAGER dead AGAIN by Elizabeth HEROINE Notes from the Underground, 2222, Asylum house for Delinquent Teenage girls, highly gifted, prolific with extraordinary psychokinesis powers named Bikini Black. Bikini Black was the British headquarters for the haunted, abandoned nineteenth century Buckinghamshire mansion College, where eccentric, young goth witches flaunted paranormal activity, induced velvet spells and learnt how to tame and weave their poetic craft of wilderness magic. I sifted through the decrepit files of tattered dust in cobwebs. Patients, primarily orphans kept in dungeons, highly toxic and psychotic dangerous. Viscous shock therapy sessions, induced comas, torture cells for exorcism rituals. Starvation. A College for Delinquent Teenagers used for psychiatric experiments often resulting in drug overdose or mass suicide. Head Mistress Doctor Cruel, number of students one to two hundred thousand handpicked teenagers from opulent wealth; unlimited funding given in donations to support heinous treatment. Death rate 99.9% of teenagers time at college resulted in suicide, page marked highly confidential. Last page, Appendix a book secretly found in underground chamber of a dungeon, scribbled in velvet blood, I opened the page. . . . Notes from Dead files Autopsy, Heart Explosion, BIKINI BLACK. Fragments left over in the last pages A-Z the report, claim that Astrix dated her novel 8888, yet year now is 2222. The gap 6666, four sixes equal twenty-four, two plus four equals six, the devils' sticks knocking sin again. Secret coroner's report said, explosion at the Asylum cause is 'unknown in the end. Bodies just vanished into thin air; some bones were scattered here and there after bomb. But numerous reports claim the child witch Astrix was behind the deadly destruction, which killed hundreds of thousands of girls.' A mass burial service was held at Cemetery, Dead Orphans Thirteen. Priests' notes, state, 'unusual paranormal activity constantly causing chaos in Chapel, ghost parties due to proximity of absent headstones, repeatedly stolen or vandalized.' Teachers report on Astrix, state, 'highly gifted, sharp highly addictive girl, who was very pretty but also insane. She was prone to high levels of distraction, abandonment, truancy, theft of mass medical supplies. Repeatedly stealing drugs. Repeatedly found smoking inside classrooms in front of teachers. Refusing to take orders from higher authorities. Found to be a compulsive liar, constantly fabricating reality for fiction and fictitious poetry characters. Constantly imagining ghosts in classrooms, while speaking to absent shifting objects. Ability to shift objects with the mind, a constant cause of disruption in class. Repeated punishment in detention did nothing to deter the rebellious bohemian libertine. In fact, her wild unruly behaviour only intensified with carefully micro managed behavioral therapy. Astrix was constantly intoxicated and wildly aloof. She was sectioned with shock therapy to reduce her high level of energy, but it was pointless. Her energy levels reached dangerously high levels, only giving her more power to create dangerous witchcraft. She was constantly putting spells on other girls and staff members by turning them into animals or insects. And she killed many with her black-eyed electric look or lick of blood lips. Her only friends seem to be dead authors, whom she claimed were alive before us all . . .
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