Michael Tabb
Prewriting Your Screenplay: A Step-By-Step Guide to Generating Stories
Michael Tabb
Prewriting Your Screenplay: A Step-By-Step Guide to Generating Stories
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Prewriting Your Screenplay contains everything a writer needs to know and do before starting to write a script, starting with how to develop an idea from absolutely nothing at all.
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Prewriting Your Screenplay contains everything a writer needs to know and do before starting to write a script, starting with how to develop an idea from absolutely nothing at all.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 240
- Erscheinungstermin: 12. Juli 2018
- Englisch
- Abmessung: 233mm x 158mm x 25mm
- Gewicht: 392g
- ISBN-13: 9781138482296
- ISBN-10: 1138482293
- Artikelnr.: 51761907
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 240
- Erscheinungstermin: 12. Juli 2018
- Englisch
- Abmessung: 233mm x 158mm x 25mm
- Gewicht: 392g
- ISBN-13: 9781138482296
- ISBN-10: 1138482293
- Artikelnr.: 51761907
Michael Tabb has developed projects for and with Universal Studios, Disney Feature Animation, Intrepid Pictures, the Canton Company at Warner Brothers; producers Paul Schiff, Sean Daniel, and Lawrence Bender; directors Thor Freudenthal and Mike Newell; comic book icon Stan Lee; and actor Dustin Hoffman. A decadelong current and active WGAW member, Tabb serves on the WGAW Writer's Education Committee and co-created the union's first mentor program. Tabb has lectured at writers conferences from coast to coast and in classrooms at Florida State University, UCLA, and USC, having tested his story-development theories as a multiple award-winning MFA professor at Full Sail University. With a love of giving back, Michael has spoken on entertainment writing for UCLA, NYU, USC, FSU, Columbia College of Chicago's Semester in L.A., Florida's and San Diego's Writers Conferences, Screenwriters' World Conference, Comic-Con International, film festivals, and his union, the Writers' Guild of America, West (WGA). Michael volunteered time to guest instruct inner-city youths for the Writers' Guild Foundation Community Outreach Program and serves on the WGAW's Writer's Education Committee. He co-created and spearheaded the WGA Mentor Program from its inception for its New Members' Committee. Michael is a multiple award-winning, MFA screenwriting educator for Full Sail University. He was educated at USC, NYU's Tisch School of the Arts, and UCLA's School of Theater, Film & Television Professional Program in Screenwriting.
Foreword/Preface
Act One - The Setup
Chapter 1: Premise (the Big Bang for your script)
Chapter 2: Genre (getting in the right mood)
Chapter 3: The Brainstorm (the storm of ideas)
Act Two - Character Driven
Chapter 4: Character Introduction
Chapter 5: Protagonist (with details on anti-heroes and failed
protagonists)
Chapter 6: Antagonist (and the mentor gone wrong)
Chapter 7: Can the Protagonist be the Antagonist?
Chapter 8: Love Interest (the motivator of inner journey and the lust
interest)
Chapter 9: Mentor (the model for success in the physical goal or outer
journey)
Chapter 10: Dual Mentors (mind versus mission)
Chapter 11: The Protagonist's Reflection characters (a look in the mirror)
Chapter 12: A Final Reflection (character concept summation)
Act Three - The Big Idea
Chapter 13: Culmination (assembly of the puzzle pieces)
Chapter 14: The Story (everything into a single story)
Chapter 15: The Logline (how you'd sell it - from story to high concept)
Appendix - Bonus Material/Final Exercise
Act One - The Setup
Chapter 1: Premise (the Big Bang for your script)
Chapter 2: Genre (getting in the right mood)
Chapter 3: The Brainstorm (the storm of ideas)
Act Two - Character Driven
Chapter 4: Character Introduction
Chapter 5: Protagonist (with details on anti-heroes and failed
protagonists)
Chapter 6: Antagonist (and the mentor gone wrong)
Chapter 7: Can the Protagonist be the Antagonist?
Chapter 8: Love Interest (the motivator of inner journey and the lust
interest)
Chapter 9: Mentor (the model for success in the physical goal or outer
journey)
Chapter 10: Dual Mentors (mind versus mission)
Chapter 11: The Protagonist's Reflection characters (a look in the mirror)
Chapter 12: A Final Reflection (character concept summation)
Act Three - The Big Idea
Chapter 13: Culmination (assembly of the puzzle pieces)
Chapter 14: The Story (everything into a single story)
Chapter 15: The Logline (how you'd sell it - from story to high concept)
Appendix - Bonus Material/Final Exercise
Foreword/Preface
Act One - The Setup
Chapter 1: Premise (the Big Bang for your script)
Chapter 2: Genre (getting in the right mood)
Chapter 3: The Brainstorm (the storm of ideas)
Act Two - Character Driven
Chapter 4: Character Introduction
Chapter 5: Protagonist (with details on anti-heroes and failed
protagonists)
Chapter 6: Antagonist (and the mentor gone wrong)
Chapter 7: Can the Protagonist be the Antagonist?
Chapter 8: Love Interest (the motivator of inner journey and the lust
interest)
Chapter 9: Mentor (the model for success in the physical goal or outer
journey)
Chapter 10: Dual Mentors (mind versus mission)
Chapter 11: The Protagonist's Reflection characters (a look in the mirror)
Chapter 12: A Final Reflection (character concept summation)
Act Three - The Big Idea
Chapter 13: Culmination (assembly of the puzzle pieces)
Chapter 14: The Story (everything into a single story)
Chapter 15: The Logline (how you'd sell it - from story to high concept)
Appendix - Bonus Material/Final Exercise
Act One - The Setup
Chapter 1: Premise (the Big Bang for your script)
Chapter 2: Genre (getting in the right mood)
Chapter 3: The Brainstorm (the storm of ideas)
Act Two - Character Driven
Chapter 4: Character Introduction
Chapter 5: Protagonist (with details on anti-heroes and failed
protagonists)
Chapter 6: Antagonist (and the mentor gone wrong)
Chapter 7: Can the Protagonist be the Antagonist?
Chapter 8: Love Interest (the motivator of inner journey and the lust
interest)
Chapter 9: Mentor (the model for success in the physical goal or outer
journey)
Chapter 10: Dual Mentors (mind versus mission)
Chapter 11: The Protagonist's Reflection characters (a look in the mirror)
Chapter 12: A Final Reflection (character concept summation)
Act Three - The Big Idea
Chapter 13: Culmination (assembly of the puzzle pieces)
Chapter 14: The Story (everything into a single story)
Chapter 15: The Logline (how you'd sell it - from story to high concept)
Appendix - Bonus Material/Final Exercise